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The Best of the Horror Society 2013 Kindle Edition
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Product details
- ASIN : B00G7YANDC
- Publisher : The Horror Society Press
- Publication date : October 25, 2013
- Language : English
- File size : 852 KB
- Simultaneous device usage : Unlimited
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 382 pages
- ISBN-13 : 978-1490597683
- Page Flip : Enabled
- Best Sellers Rank: #2,272,314 in Kindle Store (See Top 100 in Kindle Store)
- #10,172 in Occult Horror
- #14,659 in Occult Fiction
- Customer Reviews:
About the authors
Joe McKinney has his feet in several different worlds. In his day job, he has worked as a patrol officer for the San Antonio Police Department, a DWI Enforcement officer, a disaster mitigation specialist, a homicide detective, the director of the City of San Antonio’s 911 Call Center, and a patrol supervisor. He played college baseball for Trinity University, where he graduated with a Bachelor’s Degree in American History, and went on to earn a Master’s Degree in English Literature from the University of Texas at San Antonio. He was the manager of a Barnes & Noble for a while, where he indulged a lifelong obsession with books. He published his first novel, Dead City, in 2006, a book that has since been recognized as a seminal work in the zombie genre. Since then, he has gone on to win two Bram Stoker Awards and expanded his oeuvre to cover everything from true crime and writings on police procedure to science fiction to cooking to Texas history. The author of more than twenty books, he is a frequent guest at horror and mystery conventions. Joe and his wife Tina have two lovely daughters and make their home in a little town just outside of San Antonio, where he pursues his passion for cooking and makes what some consider to be the finest batch of chili in Texas. You can keep up with all of Joe’s latest releases by friending him on Facebook.
Weldon Burge, a native of Delaware, is the debut author of the thriller Harvester of Sorrow, the first in the Ezekiel Marrs series published by Smart Rhino Publications. He is also a publisher and full-time editor. Weldon's short fiction has appeared in many publications, including various magazines and anthologies (such as Crimeucopia, The Best of the Horror Society 2013, Pellucid Lunacy: An Anthology of Psychological Horror, Ghosts and Demons, Beach Pulp, and Scary Stuff, just to name a few). His stories have been adapted for podcast presentation by Drabblecast. Weldon is also a frequent writer for Suspense Magazine, often writing author interviews.
In 2012, Weldon and his wife, Cindy, founded Smart Rhino Publications, an indie publishing company focusing primarily on horror and suspense/thriller books, many of them anthologies. To date, the company has published 15 books, including Zippered Flesh: Tales of Body Enhancements Gone Bad, Insidious Assassins, Asinine Assassins, A Plague of Shadows, The Box Jumper, Broken: Stories of Damaged Psyches, and Green Tsunami.
Weldon is also well known for his garden writing, he actually freelances for various nonfiction and fiction publications. His nonfiction has appeared in Organic Gardening, Horticulture, Fine Gardening, Gardening How-To, Birds & Blooms, Flower & Garden, National Gardening, Delaware Today, Country Discoveries, Grit, Back Home, The Almanac for Farmers & City Folk, and many other national magazines.
Dave Jeffery is author of 15 novels, two collections, and numerous short stories. His Necropolis Rising series and yeti adventure Frostbite have both featured on the Amazon #1 bestseller list. His YA work features critically acclaimed Beatrice Beecham supernatural mystery series and Finding Jericho, a contemporary mental health novel that was featured on the BBC Health and the Independent Schools Entrance Examination Board's recommended reading lists. A third edition of this book will be released by Demain Publishing in 2020.
Jeffery is a member of the Society of Authors, British Fantasy Society (where he is a regular book reviewer), and the Horror Writers Association. He is also a registered mental health professional with a BSc (Hons) in Mental Health Studies and a Master of Science Degree in Health Studies.
Jeffery is married with two children and lives in Worcestershire, UK.
For more information please visit: www.davejeffery.webs.com
Mark Onspaugh is a California native and the author of over fifty published short stories. Like many writers, he is perpetually curious, having studied psychology at UCLA, exotic animals at Moorpark College's EATM program, improv comedy with the Groundlings and special effects makeup with Thomas R. Burman, Rick Baker and Rob Bottin. Mark has also written for film and television. His first novel THE FACELESS ONE is available on Amazon from Penguin Random House's Hydra imprint. The sequel to THE FACELESS ONE, DEADLIGHT JACK, will be available from Penguin Random House in January of 2017. His kaiju novel KUA'MAU, KAIJU MOTHER OF WRATH and his zombie novel THE THETIS PLAGUE are available on Amazon from Severed Press. He currently lives in Morro Bay, California with his wife, writer Tobey Crockett and two tricksters who take the form of cats.
Dan lives in the Midwest with his family, a few animals and a passion for scary movies and Halloween.
He has written short stories, novels, screenplays, and even directed a dozen or so short films. There will be more!
He loves horror, but isn't married to it, and therefore is free to date other genres.
Find the demonauthor online, follow him, friend him and please: if you read his work, Leave a review, seriously, it's okay. Authors like that.
(Art by Erik Wilson) Richard Thomas is the award-winning author of seven books: three novels—Disintegration and Breaker (Penguin Random House Alibi), as well as Transubstantiate (Otherworld Publications); three short story collections—Staring into the Abyss (Kraken Press), Herniated Roots (Snubnose Press), and Tribulations (Cemetery Dance); and one novella in The Soul Standard (Dzanc Books). With over 150 stories published, his credits include The Best Horror of the Year (Volume Eleven), Cemetery Dance (twice), Behold!: Oddities, Curiosities and Undefinable Wonders (Bram Stoker winner), PANK, storySouth, Gargoyle, Weird Fiction Review, Midwestern Gothic, Shallow Creek, The Seven Deadliest, Gutted: Beautiful Horror Stories, Qualia Nous, Chiral Mad (numbers 2-4), PRISMS, Pantheon, and Shivers VI (with Stephen King and Peter Straub). He has won contests at ChiZine and One Buck Horror, has received five Pushcart Prize nominations, and has been long-listed for Best Horror of the Year six times. He was also the editor of four anthologies: The New Black and Exigencies (Dark House Press), The Lineup: 20 Provocative Women Writers (Black Lawrence Press) and Burnt Tongues (Medallion Press) with Chuck Palahniuk. He has been nominated for the Bram Stoker, Shirley Jackson, and Thriller awards. In his spare time he is a columnist at Lit Reactor. He was the Editor-in-Chief at Dark House Press and Gamut Magazine. His agent is Paula Munier at Talcott Notch. For more information visit www.whatdoesnotkillme.com.
I'm a writer... At least, I write...
I was five when I wrote my first short story - it involved a car going over a cliff, Jessica Fletcher and the Phantom Raspberry Blower. It didn't have much of a plot (he did it, she solved it) but it did have rather colourful (crayon) illustrations and it did make me realise that writing was for me.
At 12 I wrote my first novel during the school summer holidays. Loosely based on the Famous Five, with a bit of James Bond thrown in, it was an adventure story and my teacher made me read some of it out in class. And that's when I realised that I wanted people to hear my stories and read my work.
Over the intervening years, I have written various short stories, plays, poems and novels in different genres, including romance and children's books.
JASON V BROCK is an award-winning and -nominated writer, editor, filmmaker, composer, artist, scholar, and speaker. He has been widely published online, in comic books, magazines, nonfiction works, and anthologies, such as THE PS BOOK OF FANTASTIC FICTIONEERS, DISORDERS OF MAGNITUDE (Nonfiction Finalist for both the Bram Stoker Award and the Rondo Hatton Classic Horror Awards), THE DARK SEA WITHIN: TALES & POEMS, FUNGI, WEIRD FICTION REVIEW (print edition), FANGORIA, S. T. Joshi's BLACK WINGS series, and many, many others. He describes his Pushcart Prize-nominated work as Dark Magical Realism. He has mentored numerous other writers who have likewise gone on to be nominated for and/or earn Clarion West scholarships, as well as World Fantasy, Bram Stoker, and other awards. In addition, he administers the Estate of William F. Nolan.
Brock was Art Director/Managing Editor of DARK DISCOVERIES magazine for more than four years, and publishes a pro journal called [NAMEL3SS], which can be found on Twitter/X: NAMELESS_DIGEST, and on the Interwebs at NAMELESSDIGEST. In addition, Brock and his wife, Sunni, run CYCATRIX PRESS (a few of their books include A DARKE PHANTASTIQUE [Bram Stoker Award Finalist], THE BLEEDING EDGE, and the Bram Stoker Award-nominated debut short story collection THE MIRRORS by author Nicole Cushing). They also have a technology consulting business.
As a filmmaker, his works include the critically acclaimed documentaries CHARLES BEAUMONT: THE LIFE OF TWILIGHT ZONE'S MAGIC MAN, THE ACKERMONSTER CHRONICLES! (Winner of the 2014 Rondo Hatton Award for Best Documentary), and IMAGE, REFLECTION, SHADOW: ARTISTS OF THE DARKE PHANTASTIQUE. He is the primary composer and instrumentalist/singer for his band, CHIAROSCURO.
Popular as a speaker and panelist, he has been a Special Guest at numerous film fests, conventions, and educational events, and was the 2015 Editor Guest of Honor for ORYCON 37, the largest science fiction convention in Oregon. Brock loves his wife, their family of herptiles, travel, and vegan/vegetarianism. He is active on social sites such as Facebook and Twitter/X (JASONVBROCK), and their personal website/blog, JASUNNI.
**2021 Pushcart Prize Nominee (SHORT FICTION): “Verlassen”**
**2015 Bram Stoker Award Finalist (BEST ANTHOLOGY): A DARKE PHANTASTIQUE**
**2015 Bram Stoker Award Finalist (BEST NONFICTION BOOK): DISORDERS OF MAGNITUDE: A SURVEY OF DARK FANTASY**
**2015 Rondo Hatton Classic Horror Award Finalist (BEST BOOK): DISORDERS OF MAGNITUDE: A SURVEY OF DARK FANTASY**
**2014 Rondo Hatton Classic Horror Award Winner (BEST DOCUMENTARY FILM): THE ACKERMONSTER CHRONICLES!**
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About His Work:
**SIMULACRUM AND OTHER POSSIBLE REALITIES (Debut Collection)**
“Jason V Brock. . . A bold new voice in American fiction. Watch this man! You may be in at the birth of a legend.”
—William F. Nolan (co-author, LOGAN'S RUN; screenwriter, BURNT OFFERINGS)
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“[Brock] makes the fantastic utterly believable. . . a fine writer, indeed.”
—George Clayton Johnson (writer for STAR TREK and THE TWILIGHT ZONE; co-author, LOGAN'S RUN)
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“Bravo!”
—Ray Bradbury (author, FAHRENHEIT 451 and THE MARTIAN CHRONICLES)
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“. . .a clever young man, Jason Brock.”
—Harlan Ellison (author, DEATHBIRD STORIES and “A Boy and His Dog”)
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“[Brock] knows how to tell a story. . . [he] has heart. . . real emotion. . . [it's] a strong part of writing that most writers never capture.”
—James Robert Smith (author, THE FLOCK)
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“[Brock] takes. . . characters into places I never expected. . .”
—Richard Matheson (author, SOMEWHERE IN TIME and I AM LEGEND)
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**MILTON'S CHILDREN (Novella)**
“Fun and clever and full of storytelling energy. You are bound to like this one.”
—Joe R. Lansdale (Edgar Award winning author, THE THICKET)
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“This richly textured novella is a triumph—a splendid fusion of horror and science fiction, of the cosmic and the human. It fulfills the promise of Jason V Brock's earlier work and establishes him as a force to be reckoned with in contemporary weird fiction.”
—S. T. Joshi (World Fantasy Award winning scholar/editor, H. P. LOVECRAFT: A LIFE; THE WEIRD TALE)
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“As satisfying as a novel, Jason V Brock's story MILTON’S CHILDREN combines classic elements of H. P. Lovecraft and Jules Verne with modern sensibilities to spin a yarn that is part adventure tale and part horror story. I loved it, but it is thoroughly a dire warning: When we become monsters, we also create monsters.”
—Ray Garton (World Horror Convention Grand Master and author, LIVE GIRLS)
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“Venture into the Antarctic, where Jason V Brock will plunge you into one of the most terrifying Lost Worlds stories imaginable: Make no mistake, this is no Lovecraft or Crichton knockoff; the S-F/Horror story revealed here on this undiscovered island is original and scientifically plausible. The writing is crisp, precise, and easily accessible; the plotting sharp and compelling; and once the action starts it is non-stop, the reader only able to catch their breath at its very conclusion. . .
“Underlying the writing, one is totally convinced that they are in good authorial hands—what I call the marvelous 'Allstate Effect,' achieved rarely by only the most highly skilled authors. Snag this book! Copy its byline: Jason V Brock, and put it up on the fridge, then underline it—after that, be sure to watch for more exciting, literate stories to come. Highly recommended.”
—Gene O'Neill (Bram Stoker Award winning author, TASTE OF TENDERLOIN)
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Carson Buckingham knew from childhood that she wanted to be a writer and began, at age six, by writing books of her own, hand-drawing covers, and selling them to any family member who would pay (usually a gumball) for what she referred to as “great literature.” When she ran out of relatives, she came to the conclusion that there was no real money to be made in self-publishing, so she studied writing and read voraciously for the next eighteen years, while simultaneously collecting enough rejection slips to re-paper her living room…twice.
When her landlord chucked her out for, in his words, “making the apartment into one hell of a downer,” she redoubled her efforts, and collected four times the rejection slips in half the time, single-handedly causing the first paper shortage in U.S. history.
But she persevered, improved greatly over the years, and here we are.
Carson has been/is a professional proofreader, editor, anthologist, newspaper reporter, copywriter, technical writer, novelist, short story writer and comedy writer. She prefers fiction writing above all, since fiction, ultimately, is where the truth is. Her novels and short stories fall under the horror subgenres of dark fantasy (think Poe, not swords and sorcery) and paranormal suspense and are meant to chill the reader without blood and guts and veins in the teeth.
Her blog is at http://carsonbuckingham.blogspot.com/ and though she is a horror writer, Carson's blog is humorous (she hopes) with commentary on life's absurdities updated each week in THE WEEKLY RANT. THE CAPTIONED PHOTO OF THE DAY is there, too, along with the HORROR-SCOPES and even shots of her garden in Arizona. You can also find out about what she's up to in the world of dark fantasy in the BOOK BLURBS and CARSON'S NEWS sections.
She loves reading and gardening; but not at the same time. Though born and raised in Connecticut, she lives in Arizona now—and Connecticut is glad to be rid of her!
For over 25 years, Henry Snider has dedicated his time to helping others tighten their writing through critique groups, classes, lectures, prison prose programs, and high school fiction contests. He co-founded Fiction Foundry (est. 2012) and the award-winning Colorado Springs Fiction Writer’s Group (1996-2013). Thirteen years to the month from founding the CSFWG, he retired from the presidency. After a much needed vacation, he returned to the literary world. While still reserving enough time to pursue his own fiction aspirations, he continues to be active in the writing community through classes, editing services, and advice. Henry lives in Colorado with his wife, fellow author and editor Hollie Snider, son – poet Josh Snider and numerous neurotic animals, including, of course, Fizzgig, the token black cat.
Robert S. Wilson is the author of THE QUIET, the EMPIRE OF BLOOD dystopian vampire series, the LIFELINE cyberpunk/noir series, the long fiction collection LONG SHADOWS: VOLUME 1, and the new serial HEX: A Novel of Cosmic Horror. He is the Bram Stoker Award-nominated editor of ASHES AND ENTROPY, BLOOD TYPE: AN ANTHOLOGY OF VAMPIRE SF ON THE CUTTING EDGE, HORROR FOR GOOD: A CHARITABLE ANTHOLOGY and NIGHTSCAPES: VOLUME 1, and Co-Editor in Chief and co-owner of Nightscape Press alongside his wife, Jennifer Wilson. He lives in Middle Tennessee with his family, an equally adorable and obnoxious dog, and a few psychotic cats skilled in the martial arts.
Robert's short fiction has appeared (and/or is forthcoming) in numerous publications including Vastarien, Daily Science Fiction, Factor Four Magazine, Test Patterns: Creature Features, 32 White Horses on a Vermillion Hill: Volume One, Cosmic Scream, Darkfuse Magazine, Gothic Lovecraft, and more. His LIFELINE Lovecraftian/cyberpunk/noir novella EXIT REALITY was chosen as one of e-thriller.com’s Thrillers of the Month in July 2013.
He is currently working hard to finish a number of novels and novellas all at once like a blind juggler given knives and led into oncoming traffic.
Mercedes M. Yardley is a whimsical dark fantasist who wears poisonous flowers in her hair. She is the author of many works including BEAUTIFUL SORROWS, PRETTY LITTLE DEAD GIRLS: A NOVEL OF MURDER AND WHIMSY (now available as a graphic novel with art by Orion Zangara), and the Stabby Award-winning APOCALYPTIC MONTESSA AND NUCLEAR LULU: A TALE OF ATOMIC LOVE.
She is a two-time Bram Stoker Award winner for her realistic horror novella LITTLE DEAD RED and her magical surrealism short story "Fracture." She was a Bram Stoker finalist for her short story "Loving You Darkly" and for her ARTERIAL BLOOM anthology, for which she was editor. Mercedes lives and creates in Las Vegas with her family and menagerie of battle-scarred, rescued animal familiars.
Charles Colyott lives on a farm in the middle of nowhere (Illinois, U.S.A.) with his wife, 2 daughters, cats, and a herd of llamas and alpacas. He is surrounded by so much cuteness it's very difficult for him to develop any credibility as a dark and gritty writer. Nevertheless, he has appeared in Read by Dawn II, Dark Recesses Press, Withersin magazine, Horror Library Volumes III & IV, Terrible Beauty, Fearful Symmetry, and Zippered Flesh, among other places. He also teaches a beginner level Tai Chi Ch'uan class in which no one has died (yet) of the death touch.
You can get in touch with him on Facebook, or email him at charlescolyott@gmail.com.
Unlike his llamas, he does not spit.
Rose Blackthorn writes speculative fiction from the high mountain desert of eastern Utah.
Her short stories have appeared in such places as Stupefying Stories, Necon E-books, Interstellar Fiction, BuzzyMag, Siren’s Call and Massacre Magazine. She has also appeared in many anthologies including The Ghost IS the Machine and Fear the Abyss by Post Mortem Press, Eulogies II: Tales from the Cellar by HorrorWorld, Equilibrium Overturned and Dread by Grey Matter Press, Wrapped in Black by Sekhmet Press, and Twice Upon a Time by The Bearded Scribe Press.
Her poetry has appeared in Jamais Vu, 3 volumes of the HWA Horror Poetry Showcase, Widowmakers, and Chiral Mad 3. She has also released a poetry collection Thorns, Hearts and Thistles through Eldritch Press. More information can be found at:
http://www.facebook.com/RoseBlackthorn.Author
http://roseblackthorn.wordpress.com
https://twitter.com/rose_blackthorn
The last, quite possibly the least, Renaissance man, Doug Lamoreux (a father of three strong men and a grandfather), a lifelong horror film fan and child of Famous Monsters of Filmland magazine, recognized his incompatibility with the rest of the world - and gave it all up to act and write. He appeared in Mark Anthony Vadik's The Thirsting (aka Lilith) and Hag. He starred in Peter O'Keefe's Infidel and Boris Wexler's The Arab. All interspersed with forty years in theater (during which he fell off the stage twice). Now he writes swell horror novels. The first-ever Igor Award recipient from The Horror Society, Doug is a former Pushcart Prize nominee, Rondo Award nominee, and his novel, Dracula's Demeter, was a 2012 Lord Ruthven Award nominee for fiction.
Julianne Snow is the author of the Days with the Undead series. She writes within the realms of speculative fiction, has roots that go deep into horror and is a member of the Horror Writers Association. Julianne has pieces of short fiction in publications from Sirens Call Publications, Open Casket Press, James Ward Kirk Publishing and Hazardous Press as well as the forthcoming shorts in anthologies from 7DS Books, Phrenic Press, and the Coffin Hop charity anthology Death by Drive-In. Be on the lookout for her contributions to a number of collaborative projects to be announced shortly.
Christian grew up in Park Ridge, Illinois and graduated from Maine South High School in 1993. He has worked as an English teacher, radio personality, newspaper reporter, and a printer's devil, and has been published in A FEAST OF FRIGHTS (The Horror Zine Books), THE GHOST IS THE MACHINE (Post Mortem Press), QUALIA NOUS (Written Backwards), ZIPPERED FLESH 2 (Smart Rhino Publications), BLEED (Perpetual Motion Machine Publishing), OF DEVILS & DEVIANTS (Crowded Quarantine Publications) and GOTHIC BLUE BOOK V (Burial Day Books).
In LOSING TOUCH, Larsen's debut novel from Post Mortem Press, Morgan Dunsmore, near bankruptcy and desperate to keep his marriage from dying a quiet death, discovers that he can walk through walls. When he tries to use his newfound power to repair his life, he endangers himself and his family in ways he didn't imagine. LOSING TOUCH features a foreword by NY TIMES bestselling author Piers Anthony.
Christian received his bachelor of science in broadcast journalism from the University of Illinois and studied secondary English education at National-Louis University. He lives with his wife and two sons in the fictional town of Northport, Illinois. Follow him on Twitter @exlibrislarsen or visit exlibrislarsen.com.
T.E. Grau is a Shirley Jackson Award- and Bram Stoker Award-nominated author, screenwriter, producer, and graphic novel writer whose books include I Am The River (nominated for the 2018 Bram Stoker Award® for Superior Achievement in a First Novel), They Don’t Come Home Anymore, The Nameless Dark (nominated for the 2015 Shirley Jackson Award for Single-Author Collection), The Mission, Triptych: Three Cosmic Tales, and These Old and Dirty Gods (Diese Alten und Dreckigen Götter – German language edition). His work has been published around the world, translated into Spanish, French, Italian, German, and Japanese. Grau lives in Los Angeles with his daughter, and is represented by Kim Yau (film/TV – Los Angeles) at Echo Lake Management and Katelyn Dougherty (literary – New York) at Paradigm Talent Agency.
Author, artist, and filmmaker Aaron Dries was born and raised in New South Wales, Australia. His novels include House of Sighs, The Fallen Boys, A Place for Sinners, and Where the Dead Go to Die, which he co-wrote with Mark Allan Gunnells. His short fiction and illustration work has been published world-wide. Aaron's most recent release is the highly-acclaimed Dirty Heads: A novella of cosmic coming of age horror. Feel free to drop him a line at www.aarondries.com. He won’t bite. Much.
Scott M. Goriscak began writing in high school, but it wasn't until a conversation with horror writer Clive Barker that his writing turned to the dark side. Scott published his first collection of short stories, Grim and Ghastly, in 2008. He followed up with a second collection entitled, Dead and Decaying in 2009. Also in 2009, his short story "Home Sweet Home" was selected for the 2010 Masters of Horror anthology. The following year, his story "Easy to Digest" was chosen for the 2011 Masters of Horror anthology, Damned If You Don't. In 2011, he was published in numerous anthologies: Soup of Souls, I Believe in Werewolves, Satan's toy Box: Demonic Dolls, Satan's Toy Box: Toy Soldiers, Post-Apocalyptic Raids, Spirits of the Night, and The Spirit of Poe. Angelic Knight Press published Scott's third collection of horror in 2012 entitled, Horrorism. The Horror Society Press published Scott's fourth collection, Welcome to the Dark Side in October 2012. He is currently putting the final touches on his new collection due out in October 2013 entitled Horrorgeddon, and expects to complete his first novel American Gargoyle in 2022.
Nicholas Grabowsky's novels of horror/fantasy and mainstream pulp fiction, both as himself, as Nicholas Randers, and as Marsena Shane, have generated worldwide acclaim for over two decades and praised by many of today's most popular horror gurus in the literary world. He began his career in traditional publishing houses with brisk sellers in mass market paperback horror and romance, and in the last two decades is seen by many as a mentor to many authors and the smaller presses, which has become to him a passion.
His body of work includes the award-winning macabre aliens-among-us epic The Everborn, The Rag Man, Pray Serpent's Prey, Halloween IV (and its special edition), Diverse Tales, Reads & Reviews, The Wicked Haze, Sweet Dreams Lady Moon, June Park, and Red Wet Dirt, numerous anthologies, magazine articles, and self help books, with projects extending to screenplays, poetry, songs, film, and a wide variety of short fiction and nonfiction since the 1980's.
He's a veteran special guest at numerous genre conventions and makes appearances and signings across North America. He has been in the limelight a radical gospel preacher right out of high school and in the following years a rock vocalist, teacher, lecturer and activist, editor, publisher and founder of the Sacramento-based Diverse Media small press, which has recently blossomed into the subdivisions of Black Bed Sheet Books, which publishes "exemplary literature, fiction & non" but specializes in horror/fantasy, Black Bed Sheet Productions, which produces independent film and television, and Blue Bed Sheet Books, which published children's books, and other subdivisions in progress.
Currently, Nicholas is at work with numerous anthologies, graphic novels and comic books, an Everborn sequel and the novels The Downwardens and The Sirens of Knowland. His independent film projects include the upcoming slasher creature feature Cutting Edges.
Quotes about Grabowsky:
"My Dear Nicholas: You seem to me---in a way that's entirely admirable----a man out of time. You're writing horror epics when the audience has become increasingly numbed by cinematic hokum and stale ideas. I salute you: your ambition, your dedication, your achievements, your blissfully complex imagination...." ----Clive Barker (bestselling author & director, Hellraiser, etc.)
"Grabowsky succeeds in making the whole world creepy...." ----Heidi Martinuzzi, E! Entertainment Television
"Grabowsky's writing is at times touching and emotional, however, his real talent is his ability to infuse his writing with a sense of dread and loathing that I have not experienced since H.P. Lovecraft..." ----Tahoe Daily Tribune
"Grabowsky has imagination to spare.....!" ---Sacramento Bee
"Impressive storytelling....." ----Wes Craven (Dir., A Nightmare on Elm Street)
".....soon we'll all be hearing about this Grabowsky guy...." ---Joe Dante (Dir, Gremlins, The Howling)
"Keep 'em coming, Nicholas...." ----Stephen King
"All hail Grabowsky!" ---Horrorweb.com
"Grabowsky melds horror and Sci-fi with such expertise that I am left speechless." ---Gorezone Magazine
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- Reviewed in the United States on December 30, 2013The Best of the Horror Society 2013, edited by Carson Buckingham is a collection of twenty eight excellent horror stories designed to sit with you long after you read the final page. What’s interesting is that unlike many recent anthologies, this one is built not around a theme but rather is a collection of simply great stories which are dark, disturbing, and in many cases, push the boundaries of horror. Ironically, I did find a common thread through many of the stories and that was that bad things often happened to bad people, although good people certainly got caught in the grip of evil as well.
Of the twenty eight stories, there were some from well established voices along with relative newcomers to the horror genre. As is often the case in these anthologies, sometimes the most entertaining stories came from the newer voices who are just now flexing their storytelling muscle. There wasn’t a single bad story, which made my task of narrowing down to my favorites all that much more challenging. Of the stories that I listed below as my favorites, please understand that my selection is entirely subjective to the impact each of the stories had on me. While I enjoyed each story in the anthology, the following managed to hit a nerve and make the story stand out and linger long after the final word was read.
Ceremony, by William F Nolan is the perfect tale to kick off the anthology in style. A story by one of the grand masters of short fiction is bound to be a treat and Nolan certainly does not disappoint. The story centers on an unnamed hitman traveling to New England to carry out a job. Of course, the bus breaks down in the creepy town of Doour’s Mill, and the man gets thrown into the middle of some very odd goings on. To tell any more would ruin the story. Of course, like any Nolan story, getting there is half the fun and Nolan pulls out all the stops in his descriptions of the town and its very strange citizens. Ceremony is a story that lingers with you long after reading it.
Lemminaid, by Carson Buckingham is a story of a wealthy old man, Peterson Sharpe, who spots a young boy selling lemonade by the side of the road and decides to stop. While to story starts in an almost lighthearted tone, it quickly dissolves into something a lot darker and leaves us with an ending very reminiscent of early Richard Matheson. A strong moral lesson is given here in that you will reap what you sow.
White Hell, Wisconsin, by Weldon Burge was another stand-out story in the anthology and clearly the case of bad things happening to good people. It follows the story of a snow plow driver who on the night of a huge blizzard comes face to face with a very familiar monster – mankind. What really stood out in this tale was not only the sense of isolation from the storm, but the manner of how cold and calculating those in the story can be given the right circumstances. A dark and unsettling read, it sends chills as it serves as an allegory for what is happening to the youth of America. Very chilling indeed.
Normal is relative, by Dan Dillard starts off as a simple paint by numbers story of a young couple having dinner at home when their idyllic evening is interrupted by the unexpected arrival of the man’s psychotic brother. Of course, this story quickly spirals out of control and after the blood soaked violence, the ending hits you with an twist I can guarantee you won’t see coming. It lingered long after reading and is highly recommended.
Madeleine, by Julianne Snow is a dark tale about a six year old girl haunted by prophetic dreams of her family’s gruesome demise. Throw into the mix a creepy aunt who gives the terrified girl an unusual doll to help with her night terrors and you have another great tale with the requisite twist ending. Another story that pays quiet homage to Richard Matheson and manages to scare us long after we’ve finished reading.
It has Teeth, by Christian Larsen is an old-school horror story of a husband and wife who think they’ve found the home of their dreams only to see it dissolve into the stuff of nightmares. Eerily reminiscent of stories ripped from the pages of the old Pan Book of Horror Stories anthology series, the story does indeed have teeth and will grab you and not let go.
Black Bird, by Rose Blackthorn starts off telling the story of Callie Velis who notices a black bird who seems to be following her as she heads to work. The story escalates and the one bird becomes many as Callie becomes terrorized by the birds. Not to give anything away, the story builds tension as it works its way to a satisfying climax. Highly entertaining and a real page turner, it will have you looking at the next crow or raven you see with a greater degree of suspicion.
Adjoining Rooms, by Scott Goriscak is a dark tale that follows a con man who has a run in at a hotel with his very large and frightening neighbor at a city hotel. The story mixes an old-school approach with a small degree of surrealistic weirdness to evoke a sense of fear and paranoia as the story propels itself along to a twisted finale, showing once again how bad things do happen to bad people. The story reminded me of the old “pre-code” EC comics and was a blast to read as I turned the pages, waiting to see what would happen next.
Moving Day, by Mark Onspaugh tells the story of eight-year old Clarissa Pearson as she and her family move into their new home. The story manages to take two time worn staples in horror such as the unknown of a new home and the innocence of children and blends them together to get a dark and twisted tale that hints strongly at a Lovecraftian influence. Very clever and will keep you reading until the very last word.
Black Mary, by Mercedes Yardley is a haunting tale of abuse, human monsters and the indomitable will of the human spirit wrapped around a quiet ghost story. Very well written with strong characters you can empathize with and incrediby haunting, this story shines as one of the best in the book.
Boy in the Elevator, by Robert S Wilson tells the story of a man who is convinced he sees his dead son at a hotel and follows him into the elevator. The story relies not only in the build-up of tension throughout, but also with the hard hitting ending which cbeautifully closes the story. Very creepy and unsettling and makes us caution what we truly wish for.
Again, while the above eleven stories really hit a chord and resonated with me, this is an anthology that doesn’t have a weak link. Each story is well written and highly enjoyable and well worthy to be a representative for the Horror Society. Carson Buckingham has pulled together a solid and cohesive collection and a highly and engaging read from beginning to end. Highly recommended.
- Reviewed in the United States on December 19, 2013Some clarification for the uninitiated: This is the best of the Horror Society - not necessarily the Years Best Horror (although I think the anthology would be in the running for such a title.) The Years Best Horror was a legendary series of short story collections issued by DAW and edited, if memory serves, by the great Karl Edward Wagner. "The Horror Society" is a new organization that has reached a remarkable level of distinction in a short period of time. As Scott Gorsiak, the president of the organization claims in his forward, it is "a think tank" for those who contribute to the field of Horror, not limited to one particular discipline, such as writers, but including musicians, directors, make up artists, etc., where artists can network for connections and exchange ideas. This isn't the Horror Writer's Association of America, the H.P. Lovecraft Appreciation Society, the Stephen King Wannabe Club, Clive Barker Uber Alles or any other darned group.
There are some very good writers here. Along with the legenary William F. Nolan, the only living writer I know of who can be included along with the likes of Robert Bloch, Richard Matheson and Ray Bradbury. Included too are rising stars Richard Thomas, Weldon Burge, Joe McKInney, Aaron Warwick Dries, Robert S. Wilson, Scott Gorsiak (grin) and editor Carson Buckingham. Twenty-Five Tales of short and not-so-short, high quality and mostly unfamiliar shivers. Authors are included I've never heard of, but I chalk that up to personal ignorance on my part. One Hell of a lot of good horror writers have shambled their way into print and eprint over the last few years. It's enough to make you throw your typewriter against the wall and try writing Harlequin Romances.
This is an excellent collection and terrific way to find out what's happening on the current, horror scene. Unlike a lot of anthologies, the stories aren't limited to a particular theme, although they aren't necessarily original to this collection. You may have encountered a couple of these before. (The William F. Nolan is from 1985 - culled, in fact and appropriately enough, from "The World's Best Horror" Collection of 1985.)
“Ceremony” by William F. Nolan, although the oldest story in the book, predates the 'noir/horror' fusion fad currently rising in public awareness by almost thirty years. Noir/Horror isn't all that new of a trend. There's something we find just, basically satisfying about low life mobsters and the like getting their comeuppance. Nolan's story delivers the goods. It’s a great start for the current anthology - but nobody gets a free ride on my bus. Horror aficionados will probably spot the very strong influence of Shirley Jackson here – but I won’t tell you how.
I like "Tendrils Never Lie" by Kevin A Ranson. It successfully incorporates some classical horror concepts into a very well observed and executed modern setting.
The Mask by Lisamarie Lamb is obviously written for the intelligesia. Set in the famous “Carnival in Venice,” it assumes you know who Petrouchka, Scaramouche and Pedrolino are, It’s atmospheric, metaphoric, uncompromisingly intelligent - a little arty in the Victorian ghost story sense, perhaps, but still good. Worth reading.
Lemminaid by Carson Buckingham
Okay, I was wondering how good this would be. The editor has to throw her own story into the mix, right?. The first two paragraphs, the introduction, were shockingly inept. Cliché followed cliché - like I was listening to some poor loser in a bar try to tell a story, using which ever cliché popped into mind: . "heaved a contented sigh,” “dearly loved these quaint... slices of antiquity,” “ripe old age of...”, “ mind as clear and sharp” (as the Atlantic in February - well, THAT'S better, anyway,) “body sound and healthy,” “ one fly in his personal ointment..”
Wow.
I was ready to skip this sucker entirely -- but I kept reading. I advise the same for you, too. I don't know how the opening got so far off track, but the story itself, once it gets started, is one of the best of the collection, building slowly as it does from the most innocuous of summer diversions, a lemon aid stand. I loved it. I think the story will eventually be a classic - but man, those opening paragraphs. We're all human, I guess, and even first-rate editors like Carson Buckingham screw up. Give the story a chance. It’s a winner.
If Lemminaid's terrors are decidedly "Old School" - and I don't have a problem with that, "The Central Coast" by Jason V. Brock sucks us right back into the modern, Clive Barker influenced horror. It is the aftermath of the ultimate wine tasting party gone bad. “The Central Coast” is an unrepentantly, joyously nasty ride. Hold on..
White Hell, Wisconsin by Weldon Burge
Convincing Rural Horror exploring the depths of human depravity. It’s exciting, tense and the denouement is completely unexpected. Very good. I sense the influence of Richard Matheson here, but that is not a bad thing. At all.
Victimized - Richard Thomas
This one reads a little more like Speculative Fiction - anybody remember that term? - than a conventional horror story, although it's bloody enough. It's about government sanctioned, fights to the death among prison inmates - a way to handle the surplus population and turn a few bucks. "Victimized" is also written in what I call the fashionable first person, present tense - a technique that in lesser hands can make you think that you're locked in a coffee house with some deranged bad beat poet/journalist who just won’t shut up..
The story is much better than that. In fact, it's very, very good. After awhile I didn't mind the present tense at all - and for me, that's saying something. “Victimized” has great characters; superb descriptions; an excellent story and is well worth the read.
“Normal is Relative” by Dan Dillard
A descent into human evil and degeneracy with an ending that was a little too slick for my tastes but effective enough. (You can pick at a story and still admire the quality - and this is first rate.) Bon Appetite.
Igor Award Winner: The Procedure by Doug Lamoreux.
Maybe I’m just perverse, but I didn't like it. The story is effectively written enough, although I disliked labeling the main character as "Pigeon." It gave away for the ending with the character’s initial appearance. In particular, I didn't like the triumph of evil and the “weak deserve what's coming to them” message of the piece. Maybe it comes from reading Raymond Chandler recently. Like Marlowe, I rather like life's oddballs, the losers, the less than over-achievers. But you know, this is the award winner, which means someone liked it – a lot. Give it a shot and see what YOU think.
Little Church of the Safe Crossing by Joe McKinney
In this one, Joe McKinney presses the boundaries, finding an original source and mythology for his monster. It is, set among illegal immigrants and some of the social/religious baggage some may be bringing with them. As a chilling horror story it works well enough, although you could argue that the subtext of the story leans a bit to the right. Also, the ending was almost comically simple, almost like the punch line of a joke you'd hear in a red state, blue collar bar - but enough of the story was enjoyable to merit it a guarded thumbs up -- denouement excluded.
Madeleine by Julianne Snow presents an interesting take on the haunted/evil dolly theme. The 6 year old girl suffers from the worst possible night terror and recurring nightmares until she is given a very special doll, someone who can help her combat the forces in those dark dreams. This one grows on you. The more you think about it, the nastier and more ambiguous it seems. Great story.
It has Teeth by Christian Larsen is home improvement horror about an evil and powerful splotch of mold that just will not be eradicated. Pretty good.
Masquerade by Dave Jeffery
I’m not a religious person and usually avoid horror and fantasy stories that proceed from a Christian concept or Christian Theology. It's not that I mind a writer having religious views or Christian beliefs, but there's something about using that viewpoint fictiously that seems to cheapen those beliefs. Does that make any sense? After all, the writer is offering just one view, one interpretation of Christianity. So, when dealing with known demons and angels, the way the angle Michael was vilified in the Prophecy series of movies, for example, I bristle.
Masquerade doesn't come out and call itself a deal with the devil story, but it's clear enough just who the Paymaster is. The weird thing is that this story is really very good - quite original and absolutely scary. So, in spite of my prejudices, my preconceptions – and who doesn’t have a few, really? -- I have to rate this as a fine and satisfyingly nasty story. Excellent
Blackbird by Rose Blackthorn is a horror story about a young woman stalked by an evil black bird. It’s good even though I am particularly fond of Ravens. Once upon a time they were considered great pets. No matter. The story was written to entertain and it does that quite well. Thumbs up.
Adjoining Rooms Scott Gorsiak
So: the editor, Carson Buckingham, has acquitted herself with aplomb in this collection. What about the host? He says he's only been a writer for a bout five years now. Is he coasting to glory on more stellar names, riding into the limelight on more famous coat tails?
.
I guess not. Adjoining Rooms is a very effective piece of Horror that builds nicely to the final pay off. The style threw me a little. It seemed anchored in the first person narrative of H.P. Lovecraft and other slightly stilted, slightly pompous writers of the late 1800s, but the story is set in modern times. The thing works. That's what s important. If anything, the slightly stilted narrative at the beginning throws the graphic horror elements into starker relief. You may groan a little at the “message,” the final revelation, but a story is more than the sum of its parts. Scott misleads and misdirects like a master and knows how to build his effects. All considered: "This," as Boris Karloff used to say, "is a Thriller."
The Clown by Henry Snider ain't for kids. It’s an example of modern, cutting edge horror based in human sexuality, a little carnival of souls surrealism and an unexpected change up. Not for the squeamish, totally disturbing and an effective horror tale.
Inspiration and Horror of George and Hugh by Nicholas Grabowsky
This one gets my “Bite the Hand that Feeds You Award.” It’s one of those "In Cold Blood" style journeys into the mind of sociopath serial killers that seem so popular right now. I guess the message is: don't watch too many horror movies. Whatever. It's still a well-written, well told example of it's type.
Moving Day by Mark Onspaugh
Nicely told little gem with a lot of twists for such a short story. You think it's going to be another variation of "The Bad Seed" - but then it gets much more, uh, complicated. Can't tell you much more without ruining the ending - but I'll wager you won't see it coming. Great job of misdirection with a lovely, horrific pay off at the end.
Soft Like Her by Charles Colyott
Some stories you can't discuss at all without ruining the impact. Not for the squeamish, my friend.
Black Mary by Merced M. Yardley
One of my favorites. “Black Mary” is about unwilling, child sex-slaves fighting for their freedom and sanity. Grim, grim, grim - but with a lot of heart, humanity and an ending that works well. Kudos to the author for trying something different. Again, this is ADULT material – which is not to say pornographic. Recommended, strongly, for mature readers.
Ellen Lee Pletzers
Hand it to author Lee Pletzers: he's not afraid to examine the outermost regions of human depravity and still make the story literate and involving enough not to be exploitive. Recommended – but again, with caution: This is horror cooked rare with the blood dripping from the plate.. If you're a drinker, you may want to pour yourself a stiff one before plunging in.
Luminous Veil by Ian Rogers is an excursion into the totally cynical wherein the character successfully counters every argument given her for staying alive by a teen help/suicide prevention hot line. It's well told, original and well written, but my own social/literary taboos prevent me from recommending it. It's easy to mock people who try to help and let the societal chips fall where they will. Different strokes for different folks, I reckon.
Daddy by Aaron Warwick Dries offers a good story - an original take on the demonic doll tale with a dollop of child/elderly abuse subtext added. The confection works. It could be interpreted as a sophisticated exploration of the horror that arises from self-discovery, of realizing that you aren't quite the person you always thought you were and hoped you would be. Aaron is mostly a novelist, and so runs on a little -- but it’s worth the read. Well done.
Beer and worms by T.E. Grau.
Here’s another one I can’t discuss without ruining. It’s a clever variation on a familiar theme and you probably won’t see the payoff coming. .
Boy in the Elevator - Robert S. Wilson
Great. This one can serve as a textbook example illustrating the art of misdirection. Robert S. Wilson, along with many others in this anthology, also shows us that an effective horror story can be placed just about anywhere: an old abandoned house, the "bad place" at the edge of town or dead center in the middle of the city on a crowded elevator.
Weird by Dean M. Drinkel
I have to admit I didn't like this one. It seemed to be inspired more by the Matrix than any phenomena observed in the real world and then slightly exaggerated as the best horror is - to my mind anyway. IN fact, the work seemed to be a throwback to a certain VERY familiar type of story from the slush piles of science fiction yesteryear. Maybe the old rules don't apply anymore.
Well, just because I didn't like it doesn't mean that you won't, and so I won’t give it away - and you have to give author Dean M. Drinkel credit for his carefully polished prose. At least he puts a new spin on an old, OLD concept.
Venus by L.L. Soares
Interesting take on "Pygmalion” set in a carnival side show. Thumbs up.
And finally, “Hotties” by Mort Castle is a virtuoso display of technique from someone who has mastered the narrative style of several different epochs and eras. There seems to be a little bit of everything here as the story bounces to several different times and locations: 1837 Oklahoma, 1696 London England, and the contemporary Internet. The story is all about hot headed teenagers and...
Sorry folks. It’s been a long review.
To my mind the story seemed heavier on style than substance and the ending strained a little to make it all hang together. There’s no denying the writing chops at work here, though. Very impressive.
In sum: The Best of the Horror Society 2013 is an extraordinarily strong showing by a LOT of talented people, beautifully edited, neatly packed and ready to ship to an unsuspecting world. Watch the skies!