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Court of Lions Kindle Edition
Kate Fordham, escaping terrible trauma, has fled to the beautiful sunlit city of Granada, the ancient capital of the Moors in Spain, where she is scraping by with an unfulfilling job in a busy bar. One day in the glorious gardens of the Alhambra, once home to Sultan Abu Abdullah Mohammed, also known as Boabdil, Kate finds a scrap of paper hidden in one of the ancient walls. Upon it, in strange symbols, has been inscribed a message from another age. It has lain undiscovered since before the Fall of Granada in 1492, when the city was surrendered to Queen Isabella and King Ferdinand. Born of love, in a time of danger and desperation, the fragment will be the catalyst that changes Kate's life forever.
An epic saga of romance and redemption, Court of Lions brings one of the great hinge-points in human history to life, telling the stories of a modern woman and the last Moorish sultan of Granada, as they both move towards their cataclysmic destinies.
- LanguageEnglish
- PublisherDoubleday Canada
- Publication dateMay 30, 2017
- File size5.2 MB
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Editorial Reviews
Review
"A sensual and emotional delight from beginning to end. Court of Lions is a book about life, love, friendship, families and passion. It's about greed and fanaticism and how damaging both can be, whether in the 1400s or 2017. It's about light and darkness, and how sometimes it's difficult to distinguish between the two. And it's about hope. Because sometimes hope is all we have to cling to." —Darcie Boleyn, author of Summer at Conwenna Cove
"Loyalty and treachery are examined mercilessly as the twin stories unfold. What lasting damage is done to the one who is betrayed, with trust replaced by fear in an intimate relationship? What toll must one pay who, with the best of intentions, betrays a loved one's trust in the name of protecting him? There is history here, examined from a fresh perspective, and humanity injected into a tale that perhaps the reader only knew as names and dates and places. An excellent reminder that weighty events can pivot on the actions of a few determined souls." —Robin Hobb, author of the Farseer Trilogy
"A wonderful blend of the past and the present day making an unputdownable, beautifully written novel." —Katie Fforde, author of A Summer at Sea
"To so perfectly capture the complex, heady exoticism of the end of an empire, and weave it with such gripping love stories past and present, is an astonishing story telling feat. Beware. You'll read this in one sitting." —Muriel Gray, BBC presenter and former head judge of the Orange Prize
"Johnson follows two parallel threads—a double helix if you will, not so much intertwined as touching gently on each other—with points of connection as light yet poignant as a lover's kiss. . . . A book's power is best felt in what the reader does when it is finished. Does the story's grip persist beyond the last page? In the case of The Court of Lions, I scoured through the author's notes before throwing myself at Google to research for myself the captivating events Johnson had described." —T.O. Munro, author of The Bloodline Trilogy
The book shimmers with heat, beauty, of the palace and its gardens filled with fruit and flowers and fountains and colour and pattern. The scents of the streets are there too, and cooking, always cooking, from couscous to mint tea. This book is a feast for the mind." —Jackie Morris, painter and author of Tell Me a Dragon
"Jane Johnson is the most wonderful writer." —Rowan Coleman, author of the international bestsellers The Day We Met and The Accidental Mother
"Sweeping between the past and present, this is a cracking and engaging read that will leave you looking at the world a little differently." —Andrew Taylor, author of The American Boy and Ashes of London
“Rich with the scents and sights of the Alhambra's gardens, towers and courtyards, this novel enchants as it moves between past and present." —Sunday Express
Praise for Pillars of Light:
"Pillars of Light is timely, stirring and romantic--but there's more to this book than a tale of love. . . . Riveting, enlightening and painful, this novel reveals the senselessness of warfare and conflict and provokes reflection about current events. But it's also about the resilience of love and the hope, the capacity for goodness, that exists in everyone." --The Globe and Mail
"Jane Johnson has given her readers another swashbuckling adventure saga of West meets East in Pillars of Light." --Toronto Star
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Kate
Granada
Now
Kate didn’t consider herself a vandal. She had never wilfully damaged anything in her life (apart from herself), let alone a World Heritage Site. Intrigued by a plant that resembled a familiar English weed she knew of as the Mother of Thousands or Kenilworth ivy, she had been taking a closer look, and glimpsed something that shouldn’t have been there. Winkling it out, she’d triggered a little cascade of debris.
She glanced around, hoping no one had seen. The Alhambra palaces, constructed by the medieval Moorish kings of Granada and wrapped around by their majestic gardens, represented to her a sort of perfection: a paradise on earth. To get thrown out would be like getting expelled from Eden. She managed to fiddle the object into her palm and sat back, trying to look innocent.
No one appeared to have noticed, not even the group of tourists she’d come in with, who were now standing in a knot, poring over a guidebook, then staring across the gorge to the summer palace, their sun visors glinting in the low afternoon light and their Nordic walking poles tucked under their arms. She’d watched them striding purposefully up the hill from the Pomegranate Gate, their poles clacking on the stones, as if they were making their way to Everest Base Camp instead of a sunlit garden in Andalusia.
Turning slightly away from them, Kate tucked her hair behind her ears to examine what she had found, feeling an unexpected simple pleasure in the act. Her hair had taken its time growing back, as if nervous to be seen out in public, but now it brushed her shoulders. Perhaps it marked the extent to which she was being restored to herself.
She opened her hand. It was just an old screw of paper, probably a scrap of rubbish crammed into the crack in the wall by a visitor. Habit dictated that she painstakingly unroll it. (She did this with used wrapping paper, peeling off the tape, trying not to tear it. As a child, she had frustrated her family at Christmas by holding up the gift opening with her mildly autistic patience.) Inside the scroll of paper was a layer of coarse white grains, and beneath this was inked a series of symbols.
Her brain buzzed at a sudden memory: sitting with Jess on a long-ago wet Sunday afternoon with a book on the floor between them.
They were twins. Non-identical, but if they made the effort, it could be hard for people to tell them apart. They had been taking turns reading to each other, but she had been interrupting Jess, driving her mad with a typical eight-year-old’s questions. “Yes, but what sort of spiders are they? Where did they come from? How did they get to be so big? Are there spiders in our woods that cocoon people and eat them alive?”
Infuriated, Jess had put the book down flat as if hiding its contents from Kate, who had spied something she had never noticed before: that the pattern on the front cover also ran across the spine and onto the back of the book. And not just any pattern: symbols that looked sort of like an alphabet but were a type of writing she couldn’t quite understand. She had touched the border in wonder. “Look,” she’d said. “Letters!”
Jess had sighed. “They’re runes, stupid,” she’d declared with almost adult condescension. “It’s another language.” She pointed to a section of the border. “See, there? You must be able to work that out.”
It was a sort of spiky double B. In a flash of revelation Kate understood how the letters grouped around it made up a name. “It says ‘The Hobbit’!” she squealed. It was a glimpse into a secret world. “What does the rest say?”
They had spent the remainder of the afternoon transliterating the code and making up messages to each other. Over the years it had become their thing. Different codes, different games. Kate would receive postcards from Jess when she was travelling through Europe on a student rail card in her gap year: a few lines of neat runes, followed by a heart and a J, notes that remained cryptic even when decoded.
Boys like wolves roam. A lick or a kiss?
This, with an Italian stamp and a picture of a statue of Romulus and Remus. From Spain, a postcard showing a statue of a mounted hero named Rodrigo Díaz de Vivar in Burgos. C Heston’s steely gaze and auto da fe hair,she translated from Jess’s code. Reader, I swived him.
Swived was one of their code words, gleaned from reading Chaucer’s tales. The moment Kate had translated that fourth letter she’d burst out laughing and their mother had demanded to know why. Of course she hadn’t told.
Remembering, Kate smiled as she examined the paper further. The symbols on it resembled Tolkien’s runes: but unlike them, she could find no simple guiding principle, could not even tell if they ran from left to right, right to left, top to bottom. They were a series of tiny markings, as if to save space, or to make the secret they contained even more obscure.
Perhaps this was a note left for an illicit lover, admitting to jealousy or betrayal or everlasting adoration. But more likely it was just a game, or a shopping list; or her imagination running away with her. A meaningless bit of garbage crammed into this crevice because someone couldn’t be bothered to find a bin to throw it away in. Which was probably what she should do with it.
But instead, she tucked it into her jeans pocket. Perhaps it was just in a language she didn’t know, like Hebrew or Cyrillic. Maybe she should show it around at the bar and see what anyone there could make of it. They were a cosmopolitan lot. She glanced at her watch. Nearly five o’clock. She was on evenings this week, which was better for tips but played havoc with her sleep. She pushed herself to her feet, grimacing as her knees cracked. Showing your age, Kate. Creaking knees and a watch. No one else at the bar even owned a watch: smart phones had taken over. This thought triggered another: I must phone Jess and Luke.
The idea of reconnecting to the world should have warmed her, but it was as if a cloud passed across the face of the sun.
***
“Anna! Anna Maria, I’m talking to you—did you hear a word I said?”
Kate looked up with a start from the chalkboard on which she was writing—in Spanish on one side, English on the other—that night’s specials: patatas a lo pobre, poor man’s potatoes; piquillos rellenos, stuffed peppers; boquerónes, Spanish white anchovies. “Sorry, I was a million miles away.” It took her a moment to find a suitable Spanish phrase. “Un millón de millas.”
Jimena shook her head wearily. “Sometimes it’s as if you’re in another world. When I started working, if I didn’t leap to attention as soon as Paolo called my name, I’d have been out in the gutter, doing trabajo de negros.”
Black man’s work.
Jimena’s tales of her hardscrabble life before she clawed her way up to owning the Bodega Santa Isabel were always colourful; her racism, however, was highly unpleasant. Kate bit her tongue and held up the finished chalkboard. “There—is that okay?”
Jimena ran her eyes over the Spanish text, her thin face as intent as a hawk’s as she concentrated. “Two r’s in chicharrón,” she said, focusing on the single error, handing the tablet back without a word of praise. “And as I was saying, table seven is filthy and the candle on table five needs to be replaced.”
And she was off to berate someone else.
Kate watched as she headed for Leena and Giorgio, standing together with their backs foolishly to the bar as they laughed about something, their heads bent in joyful complicity. She wished she could warn them, but seconds later they jolted upright like guilty children, away from the phone they’d been craning over, and in an instant Jimena had it in her hands like some sort of wicked stepmother, confiscated for the rest of the night. Kate fingered the scrap of paper in her jeans pocket, and left it there.
She moved deftly between the tables, setting chairs and placemats straight, aligning a knife someone had put down askew. She replaced the candle on table five and wiped down the plastic cloth on table seven, going through her paces on automatic. But all the while she was thinking: I must call Jess.
It had been less than a week since they last spoke, but something was niggling at her. She hoped Luke wasn’t ill. A stabbing pain went through her at the thought of that.
“Hi, Anna!” Axel called through a cloud of steam. Beside him Juan was peeling and chopping potatoes.
“Drink later?” he asked.
“Maybe.” Sometimes they sat out on the back step after service, drinking beer: the two lads were good company, though she did feel old enough to be their mother.
Axel had blond, blunt Swedish features; Juan was dark and aquiline and Spanish, from Madrid. They were like flip sides of the same coin: in their twenties, working their way from town to town, devouring life as they went. Kate was thirty-nine. She envied them their unmoored lifestyle. Yet here she was, cast away with no anchor, a long, long way from the life she had known. But she did not feel blithe and carefree: far from it. Perhaps that was the difference between thirty-nine and twenty-five.
Try to live in the moment, Kate,she told herself fiercely. She took a few deep breaths. You only get the one life. “Okay,” she amended. “If we don’t finish too late.”
The crowd in tonight was varied. The Alhambra, and the city that had grown up around it, attracted all sorts of visitors. Youngsters making the rounds of the sights of Europe, too full of narcissism and hormones for its majesty and tragedy to touch their hearts; academics who carried notebooks with them, looking, looking, but never really seeing; couples on honeymoon, come to sigh over the sunsets and the romantic courtyards; seasoned travellers who walked briskly through the gardens, eating the ground away till they could get to the Nasrid palaces and tick off the most famous marvels from their itineraries; batty old women who touched the walls when they thought no one was looking as if they might raise a ghost or two; dark-eyed men from North Africa, glowering at all that was lost, when once they had been kings. They all came in here for tapas, for the deep red local wine and for cerveza.
Well, that wasn’t entirely true. When Jimena was front of house, the latter group got turned away with a curt “We have no tables”; unspoken: “for the likes of you” — even though the place was patently empty.
To say her boss was racist was too simple a statement. It was as if Jimena felt she was the last bastion of Catholic Spain, a holy inquisitor holding back the Moorish hordes. Arabs were not welcome in the bodega under Jimena’s regime and woe betide you if you let one in. “They’re terrorists, all of them. You think they wouldn’t kill you in an instant if they could get away with it? I lost a cousin in the Madrid bombings. It’s what their kind has been doing for centuries. It’s in their blood. They hate us for what we took back from them, and they’re planning all the time how they’re going to get it back, or destroy it if they can’t. They are the enemy. They have always been the enemy. I may not have the power to keep them out of my country, but by God I’ll keep them out of my bar!”
The first time Kate had heard this tirade—levelled at a newcomer who’d had the temerity to seat a pleasant family of Moroccan tourists—she’d felt something inside her shrivel. Once, she’d have called Jimena to account, but she’d lost that earlier confidence, found it hard to summon the courage. And she hated herself for that.
There were Swedes and French, Germans, Japanese and Danes in tonight; she heard Leena greet the latter group with a cheery “Hej hej.” No English, which was something of a relief. Kate felt herself tense whenever she heard an English accent, no matter how unfamiliar it might be. It was absurd, she knew, but she couldn’t help it.
Taking a short break at half past eleven, she stepped out into the street to get a better phone signal and called her sister’s landline. There was a long pause before the dial tone kicked in, and then the ringing went on and on and on. For so long, in fact, that she thought she must have keyed in the wrong number. She kept no stored information on the phone—it was a cheap one loaded with a local sim card that she topped up with cash—and she was tired, so a wrong number was quite possible. Concentrating, she punched the number in again, but still there was no response, not even from the answering machine. Kate’s skin prickled. Probably Jess was out for the evening and had forgotten to set it. But wouldn’t the babysitter have answered in that case? She tried Jess’s mobile; it went to voice mail. Jess must have had an early night, Kate told herself firmly. She would try phoning again in the morning; nothing to worry about.
Even so, she felt a tug of anxiety for the rest of her shift, despite playing her part with professional smiles and small talk.
By the time the party of Danes had finished their drinks and finally departed with a promise to return before the end of the week, it was long past one and Kate was suppressing yawns that felt as if she might dislocate her jaw. The youngsters didn’t seem to care at all that it was so late: they just slept in the next day. But Kate had a routine and breaking it made her uncomfortable. She thought: If I hurry, I can get six hours’ sleep. So when Juan approached with a pair of beer bottles swinging between the fingers of one hand, she shook her head. “Actually, I changed my mind, Juan. Not tonight—I’m too tired.”
He shrugged. “Maybe tomorrow, huh?”
“Good night, Anna!” Leena kissed her on the cheek. “See you Sunday.” Lucky Leena: two whole days off.
Kate said her farewells and slipped into the night. She’d arrived in Granada the previous summer, during a particularly sweltering July, but she still couldn’t seem to catch the relaxed local vibe. Her heels rang on the uneven stones of the narrow road down to the Plaza Nueva, the sound echoing off the metal-shuttered shopfronts. As she crossed into the Arab quarter, known as the Albayzín, something shot out of the shadows and scurried through a patch of moonlight and into the obscurity of the undergrowth at the foot of the Sabika Hill. She jumped, startled, and then chided herself—a cat, she thought. Or maybe a fox. Silly to feel so shaken up because of some small creature that was no doubt a lot more scared of her than she should be of it.
She followed the course of the River Darro along the main road for a while, then turned left up the Calle Zafra and climbed the narrow street steadily, the pebble mosaics underfoot made slippery by centuries of walkers, lethal when it rained. Approaching the Calle Guinea at last, she dug out her key, clutched it in her palm, letting the tang protrude between her fingers as she’d been taught in self-defence classes. It really wasn’t that sort of place, the Albayzín, though it had an edge to it sometimes, but she was always careful. At that moment she saw the bit of paper she’d taken out of the wall that afternoon fluttering to the ground. She’d forgotten to show it around at work to see if anyone recognized the markings on it. Never mind. There was always tomorrow.
Crouching, she retrieved it and was about to stand again, when someone said her name. Not a shout but a quiet statement.
“Kate.”
Here, no one called her Kate. No one. Here, she was Anna. Anna Maria, to be precise. Her surname Moreno. It was a common name, meaning dark haired. A small private joke. Even a clue …
She sprang upright, heart beating wildly, the key in her hand ready to jab. She thought the voice had come from behind her. Her pulse raced. She interrogated her surroundings at speed. But nothing moved in the darkness.
Stop it, Kate.
Forcing herself to ignore her terror, she ran down the alley to her door.
As she reached for the lock, moonlight picked out the web of tiny, pale scars on her forearm.
Product details
- ASIN : B01LK8FESS
- Publisher : Doubleday Canada
- Accessibility : Learn more
- Publication date : May 30, 2017
- Language : English
- File size : 5.2 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 416 pages
- ISBN-13 : 978-0385682664
- Page Flip : Enabled
- Best Sellers Rank: #8,004 in Historical Mystery, Thriller & Suspense Fiction
- #50,242 in Historical Fiction (Books)
- #52,209 in Historical Romance (Kindle Store)
- Customer Reviews:
About the author

Come find me on Twitter @JaneJohnsonBakr and on Facebook at Jane Johnson (Writer)
My website is www.janejohnsonbooks.com and there you can find an email contact form: do write - I love to hear from my readers and always reply!
I update and blog regularly about writing, publishing and cooking Moroccan food (my husband is a Moroccan chef).
I am from Cornwall and I've worked in the book industry for 30 years as a bookseller, publisher and writer.
In 2005 I was in Morocco researching the story of a family member abducted from a Cornish church in 1625 by Barbary pirates and sold into slavery in North Africa (which formed the basis for THE TENTH GIFT), when a near-fatal climbing incident (which makes an appearance in THE SALT ROAD) made me rethink my future! (The whole story is told on my website.)
I went home, gave up my office job in London, sold my flat and shipped the contents to Morocco. In October of that year I married Abdellatif, my own 'Berber pirate', and now we split our time between Cornwall and a village in the Anti-Atlas Mountains.
I still work, remotely, as Fiction Publishing Director for HarperCollins and am the editor for (among others) George RR Martin (GAME OF THRONES), Dean Koontz, Robin Hobb, Mark Lawrence, SK Tremayne (aka Sean Thomas) and Raymond Feist.
I was responsible for publishing the works of JRR Tolkien during the 1980s and 1990s and worked on Peter Jackson's Lord of the Rings movie trilogy, spending many months in New Zealand with cast and crew. I have also written several books for children.
Customer reviews
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Well-written with vivid descriptions of 15th century Granada
Top reviews from the United States
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- Reviewed in the United States on April 12, 2020Loved this book. This is the third one I've read from this author and her descriptions cause you to see the surroundings in the story.
- Reviewed in the United States on August 6, 2021This book was more descriptive than The Salt Road, but so sad and love-lorn.
- Reviewed in the United States on July 7, 2017I always love a good historical fiction read and when I first heard about Court Of Lions the story just ticked al the right boxes for me. This novel by Jane Johnson is partly set in the 15th century, partly in the present and predominantly takes place in Granada. This Spanish city is hands down one of the favorite places I was able to visit during my stay in Spain eight years ago and Court Of Lions without doubt brought back great memories. When I started reading this novel I had really high expectations and I initially found myself enjoying both storylines despite them being completely different. Unfortunately this feeling didn't last. While initially I found myself to be curious about Kate's character and devoured the many descriptions of the Spanish city and the Alhambra in the contemporary chapters, I was suddenly put off by the arrival of a few very graphic scenes and adult content. Especially the second is always a huge turn off for me and instantly made me enjoy both the storyline and characters a lot less. Sure, Kate's history is without doubt both terrifying and intriguing, but for me the storyline fell mostly flat for me and I wasn't sure what to think of the chapters set in the UK either. The romance was also quite cliche and trigger warnings are in place for abuse and other sensitive themes. It is true that the pace is a lot faster in the contemporary chapters than the historical ones... But this doesn't take away that I still wish Court Of Lions would have just focused on the chapters set in the 15th century. The historical storyline is both well developed, well researched and very interesting to read. Blessings is without doubt a fascinating character despite the fact that Blessings did do some things that bothered me at times... And the final reveal out Blessing's secret came as a HUGE surprise. I loved reading about Momo and Blessings growing up and their relationship evolve and change. There were some cliches involved (love triangle!), but overall it's impressive just how much these chapters stand out from the contemporary ones. I honestly believe the storylines would have worked out better as two completely different novels... There isn't all that much connection between the two and both seem to have a different target group. It breaks my heart to give Blessings and Momo's story just a 3 star rating, but Kate's storyline did make me enjoy Court Of Lions considerably less than expected.
- Reviewed in the United States on July 7, 2017Court of Lions is the first book I’ve ready by Jane Johnson and it certainly won’t be the last! This novel was a sensual and emotional delight from beginning to end.
The reader is taken on two fascinating and gripping journeys, one in 15th century Spain, following Blessings, companion to Prince Abdullah Mohammed, and the other modern day, following Kate Fordham, an Englishwoman working in Granada.
The two stories are interwoven, which is a narrative technique that I really enjoyed. Both characters have secrets and fears and suffer mistreatment at the hands of others, but both have enduring hopes and dreams.
Ms Johnson creates captivating descriptions of the Alhambra, whisking the reader away to the Granada of Prince Abdullah Mohammed with her exquisite prose and meticulous historical research, and her own love of the location shines through.
One thing in particular that stood out for me is that this is a love story. Blessings’ love for Prince Abdullah Mohammed is beautiful, all consuming and painful, as unrequited love can be. There is a message here that love is love, whatever form it comes in, and the human capacity for love – and sometimes forgiveness – has not changed, whatever else mankind might be guilty of.
Court of Lions is a book about life, love, friendship, families and passion. It’s about greed and fanaticism and how damaging both can be, whether in the 1400s or 2017. It’s about light and darkness, and how sometimes it’s difficult to distinguish between the two. And it’s about hope. Because sometimes hope is all we have to cling to.
I thoroughly recommend this book, especially for readers who enjoy dual timelines, for readers who like romance novels and for those who appreciate well-researched historical tales.
*I would like to thank Jane Johnson and Head of Zeus publishing for the ARC of Court of Lions.*
- Reviewed in the United States on May 31, 2018Well written and engaging
- Reviewed in the United States on June 30, 2017Another triumph for Jane Johnson. I got hooked on her writing with The Sultans Wife, and in Court of Lions, she returns to familiar territory. This time her narrative is a dual timeline, set in Moorish Spain, during the ascent and conquest by Ferdinand and Isabella of Aragon and Castille.
The story of Blessings, a young boy bought and assigned to the heir to the Moorish throne of Granada and the Alhambra, and of his feelings for Momo as he calls the young Prince. Uncertain of his own sexuality, this is a story of a love that can only be unrequited but is set in one of the most turbulent periods in the history of southern Spain.
The book also tells the story of Kate, a young woman who found herself in a marriage to a controlling psychopath. She has fled England and is hiding out in Granada, under an assumed name.
A scrap of paper she finds, with some ancient and indecipherable writing on it leads her to the world of the Moors and the Moorish diaspora that exists in Spain today.
Court of Lions carries with it Jane Johnson's usual eye for detail and impeccable research. Well up to standard and highly recommended to anyone who loves historical or romantic fiction or both. Jane Johnson has a wonderful feel for the time and the place.
An excellent read and I look forward to Jane's next book.
Top reviews from other countries
- Amazon CustomerReviewed in India on March 23, 2018
2.0 out of 5 stars Didn't enjoy the read as much as I had thought
While the story of past was quite gripping and connected well with it, the current story of Kate felt overtly too dramatic and didn't have the same depth as the story of past. Didn't enjoy the read as much as I had thought.
- Danielle WosuReviewed in Canada on October 28, 2019
5.0 out of 5 stars Another favourite author.
After reading the Tenth Gift, I got hooked on jane Johnson's books. They are well researched and a bid eye opener an historic that encompasses several centuries in Spain.
- TOMunroReviewed in the United Kingdom on July 8, 2017
5.0 out of 5 stars Heartfelt History meets modern mystery
Decades ago I studied History at A'level - including a paper in European History from about 1480 to 1680. My revision strategy consisted of stringing together every incident of European History and making them but branches from a single stem of "Why did Spain decline in the 1600s?" It was a sure bet as this precise essay question had come up on every exam paper since before even my History teacher had been born.
That long ago study came back to me as I read Jane Johnson's glorious twin tale. In essence it is two stories separated by half a millenium, but conjoined in Geography. Johnson follows two parallel threads - a double helix if you will, not so much intertwined as touching gently on each other - with points of connection as light yet poignant as a lover's kiss. This is a story of duality - at once a present day mystery taut with tension and conflict and yet also a piece of historical fiction vividly bringing a lost world to life,
In the present day we follow Kate, a woman with a bruising past taking a far from secure refuge in the back streets of Granada. In the past we ride with the strangely named Blessings - companion to the boy prophesied to be the last Sultan of Granada.
My school boy study of Spain began with the reigns of Ferdinand of Aragon and Isabella of Castile, As formidable a pair of monarchs as Henry II of England and Eleanor of Aquitaine - though the legacy of the Spanish Catholic Monarchs has endured better than Henry II's Angevin Empire. Blessings' account has the same starting point as my A'level European History, but sheds an alternative light on the deceptive (arguably duplicitous) simplicity of Ferdinand and Isabella's crusade against the moors.
Tolerance is another theme that seems to run through the book, in both the sense of being accepting of difference, and also in the sense of to tolerate or put up with something. Kate is a woman who has tolerated too much. The worm has not so much turned as run and - in Kate's case - run to a place that was once celebrated for its tolerance, indeed its celebration of diversity.
Today we live in interesting times, and Johnson's book reflects that. Fear, prejudice and zealotry simmer below the surface of any civilisation and the parallels between the past and the present are easy to draw.
However, neither in Kate's tale nor Blessings' does Johnson fall into the trap of casting either side as wholy saints or sinners. The moors of Granada have their bloody villains, as crimsoned as any grimdark anti-hero. The christians of Castile and Aragon have their honourable champions alongside their venal sovereigns. But the conquest of Granada still ranks alongside that of the American midwest, or aborginal Australia, as an episode of human history littered with dishonour and broken treaties. Once again history greatest gift to the winners has been to allow their perspective on events to be the one best preserved for posterity - and Johnson's novel offers a different slant on that history.
Blessings stands watching from the margins of history, harbouring secrets great and small, trading in them yet driven always by a purity of love to which all other considerations are ultimately subordinate. His voice is convincing, his tale compelling - told in Johnson's effortless liquid prose.
Kate in her journey meets similar prejudiced zealotry as she struggles to emerge from a shell into which great trauma had driven her. Yet she is endlessly drawn to the Alhambra the Moorish palace around which both Blessings' and her own story revolve.
The writing is at its most convincing when describing the people, the culture, the food even of those whose lives straddled and still straddle the Straits of Gibraltar. The author's fondness - passion even - for the places, the period and the people add well defined flesh to the bare bones of the story.
Kate's past trials - while truly dreadful - do not have quite the depth of flavour that we get when the story stalks the streets of Granada. We are necessarily removed from the events in England - which are described either as past occurrences or through panicked telephone conversations. In such circumstances it is difficult to deliver the tension of a full blooded thriller. Nonetheless, Kate's story provides an engaging counterpoint to Blessings' and brings something of that lost age into the present.
A book's power is best felt in what the reader does when it is finished. Does the story's grip persist beyond the last page? In the case of The Court of Lions, I scoured through the author's notes before throwing myself at Google to research for myself the captivating events Johnson had described.
As to my long History A'level - gentle reader. Well that year for the first time in centuries the History paper did not have a "Why did Spain Decline?" question, instead there was a different question. "How did Portugal break free from the Spanish Yoke?" So I wrote "Portugal broke free of the Spanish yoke because Spain declined." - and then wrote my planned essay.
- Diana EsmitsReviewed in Canada on October 14, 2020
4.0 out of 5 stars Not as enjoyable as her other books
Great description of Alhambra Palace and interesting story, but rather far fetched. I do enjoy this author, liked her other books better
- PBReviewed in Australia on May 24, 2022
3.0 out of 5 stars An Alhambra story
Set in two different time periods, both in and around the Alhambra in Granada, Spain. One, the contemporary story of a British woman escaping a horrendous marriage, and the other a story of the last Nasrid sultan and the cruel arrival of fundamentalist Christianity. I'm not sure how everyone was able to communicate so easily across all the languages involved, and some events were not fully plausible - but the presence of the Alhambra itself helped me to read to the (hurried) ending.