What the Hell Did I Just Read: A Novel of Cosmic Horror

What the Hell Did I Just Read: A Novel of Cosmic Horror

by Jason Pargin, David Wong
What the Hell Did I Just Read: A Novel of Cosmic Horror

What the Hell Did I Just Read: A Novel of Cosmic Horror

by Jason Pargin, David Wong

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Overview

John Dies at the End's "smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next" (Publishers Weekly) and This Book is Full of Spiders was "unlike any other book of the genre" (Washington Post).

Now, New York Times bestselling author Jason Pargin is back with What the Hell Did I Just Read, the third installment of this black-humored thriller series.


It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about this one. To quote the Bible, "Learning the truth can be like loosening a necktie, only to realize it was the only thing keeping your head attached." No, don't put the book back on the shelf -- it is now your duty to purchase it to prevent others from reading it. Yes, it works with e-books, too, I don't have time to explain how.

While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John, and Amy realized there might actually be something weird going on. Together, they navigate a diabolically convoluted maze of illusions, lies, and their own incompetence in an attempt to uncover a terrible truth they -- like you -- would be better off not knowing.

Your first impulse will be to think that a story this gruesome -- and, to be frank, stupid -- cannot possibly be true. That is precisely the reaction "They" are hoping for.


Product Details

ISBN-13: 9781466835443
Publisher: St. Martin's Publishing Group
Publication date: 10/03/2017
Series: John Dies at the End Series , #3
Sold by: Macmillan
Format: eBook
Pages: 384
Sales rank: 93,316
File size: 4 MB

About the Author

JASON PARGIN is the New York Times bestselling author of the John Dies at the End series as well as the award-winning first book in the Zoey Ashe series, Futuristic Violence and Fancy Suits, formerly published under the pseudonym David Wong. His essays at Cracked.com have been read by tens of millions of people around the world.
JASON PARGIN is the New York Times bestselling author of the John Dies at the End series as well as the award-winning Zoey Ashe novels. He previously published under the pseudonym David Wong. His essays at Cracked.com and other outlets have been enjoyed by tens of millions of readers around the world.
DAVID WONG is the pseudonym of Jason Pargin, New York Times bestselling author of the John Dies at the End series as well as the award-winning Zoey Ashe novels. He previously published under the pseudonym David Wong. His essays at Cracked.com and other outlets have been enjoyed by tens of millions of readers around the world.

Read an Excerpt

CHAPTER 1

A CHILD GOT KIDNAPPED BY A DEMON OR SOMETHING

Me

I woke up on the floor of my junk room, a tiny second bedroom in my apartment that's piled high with the weird bullshit I collect. Though I guess that wording would imply that I seek this stuff out; I actually meant "collect" in the way that dead bugs "collect" on your windshield. The first thing I saw when I opened my eyes was four ventriloquist dummies, where they had been propped up around my face so that I'd find them staring down at me when I woke. I thought the things were creepy as hell, and Amy knew that, which is why she had put them there. She is a monster.

I sat up on my elbows, feeling like a rat had chewed its way into one of my eye sockets and then clawed its way out the other. I squinted and saw that stuck to one of the dummies was a Post-it Note that read:

You were sleepwalking again!
At the bottom she had drawn a picture of a muffin, little scribbled dots to indicate blueberries. The dots were actually blue — she had gone and found a different pen to do that part.

It was still dark out, I could sense it even though the one window in the room was mostly obscured by a large painting that was leaning against it. It was a painting of a clown that the previous owner had insisted was cursed (that is, the painting was cursed, not the clown, unless he was, which is entirely possible). "Cursed" turned out to be a ridiculous exaggeration, though. What was happening was the painted clown's mouth was slowly changing shape with time, as if it was silently mouthing words. I don't doubt that if you set the painting in front of a time-lapse camera for a few months and hired a lip reader to examine the results, it would turn out the clown was saying something very creepy or even profound. Maybe it's a prophecy. And, if you want to pay to do all that shit, be my guest. But as far as I'm concerned, if the object isn't killing anybody, it isn't "cursed." I've had it in the junk room for four months and it hasn't inconvenienced me once.

My cell phone was ringing from somewhere nearby, which I assumed was what had woken me. I knew that at this hour, it wasn't somebody calling to tell me they'd accepted my job application, so it was either:

A) a drunken misdial from somebody, in which case I would dedicate my life to finding that person and murdering them;

B) an emergency;

C) an "emergency," and those right there are sarcasm quotes.

If it was Amy, then it was a good chance it was "B" — an actual emergency. If it was John, well, it could be any of the three.

A psychic once told John that his last words would be, "Hold my beer." When he was eleven years old, he had disappeared for two weeks, creating a minor media frenzy in the area. When he turned up again at home, unharmed, he told reporters and police that he had gotten lost in the woods and survived by killing and eating a Sasquatch. His sophomore year of high school, John was suspended multiple times because for every single creative writing assignment, he had turned in a different version of a story about a teenager (named "Jon") who was sneaking into the cafeteria and jerking off in the food. His senior year, he started a garage band that was quickly banned from every club, bar, park, and concert hall in the region due to his insistence on playing a song called, "This Venue Is a Front for Human Trafficking, Someone Call the FBI, this Is Not Just a Joke Song Title." When John's first girlfriend asked him what his ideal threesome would be, he had answered, "Me, Hitler, and Prince. I just watch."

In the fifteen years I've known him, I'd say 70 percent of the overnight calls I've received from John were drunken misdials, 5 percent were genuine emergencies (like the time he called to let me know he was about to be compacted inside a garbage truck), and 25 percent were "emergencies" and really I can't make those sarcasm quotes there large enough. Just in the past twelve months, the situations that John felt warranted a call in the wee hours of the morning included:

A) a dream/vision he had of me dying violently in Bangkok, with a warning to stay far way (note: we live in the American Midwest and I couldn't afford a plane ticket to Bangkok even if I sold myself into the Thai sex trade upon arrival);

B) urgently notifying me of a "cryptid" he had snapped a photo of in his back yard, which turned out to be a passed-out drunk in the back half of a horse costume;

C) the results of a blindfolded experiment he and his friends had performed that confirmed that all Froot Loops are the same flavor, just different colors ("we're doing Skittles next, get your ass over here");

D) his million-dollar idea for a "Punch Zoo," which is like a petting zoo where you get to punch the animals.

The last such call I had gotten from him was two weeks ago. It was just a few seconds of ambient party noise, before I heard John's voice say, "What's that sound? Everybody quiet, I — Ha! Hey Munch, check it out! I farted so hard it dialed my phone!"

But, of course, I couldn't just ignore his calls because there was always the chance it was something apocalyptic. That was the hell of knowing John.

The phone sounded close, probably in the room with me. I knocked the dummies aside and pawed around the junk in my immediate vicinity. Behind the dummies was a piñata that the previous owner claimed was indestructible. So far, we'd tried shooting it with a shotgun and running it over with John's Jeep and, sure enough, the candy was still safely rattling around inside. Again, that's pretty weird, but what possible use is that to anybody? It's just a waste of perfectly good candy. If you're saying we should give it to the government so they can mimic its witchcraft or whatever to make better body armor for the military, I'm thinking you trust the government way more than I do. If it's a bona fide Object Cursed with Black Magic, handing it over to the feds would be like giving a toddler a chainsaw to cut his birthday cake with. "Oh," you're probably saying, "so it's better off in your apartment?" I don't know, dude. Do you want it? Send me your address. You pay for shipping.

I finally found the phone sitting atop a bookcase, next to a VHS box set of a series of 90s action movies starring Bruce Willis (The Ticking Man, The Ticking Man 2, The Ticking Man: The Final Chapter, Ticking Man Resurrection) that as far as I could tell, did not exist in this universe. We never watched them, nobody has a VCR, and they looked kind of shitty.

The phone's display said it was John calling.

I groaned and stumbled out into the living room to find that no one had broken in and renovated the place while I was out. There are reality shows where they do that, right? I heard the plink-plink-plink of the roof leaking in the bathroom, which the landlords wouldn't fix because my apartment is on the floor above theirs and the leak wasn't making it down to their level because, by pure coincidence, the drip was positioned to fall directly into my toilet. That was good for them, because it limited the damage the leak could do to my floor and their ceiling, but bad for us because it meant Amy had to hold a bowl in her lap when she peed (whereas I just let it drip on me).

The phone rang again. I went to the kitchenette and poured a mug of cold coffee from a pot that had been brewed yesterday, or maybe last month. It was five in the morning, according to the grease-clouded clock on the microwave. I found the muffin — blueberry, just as it had been depicted in Amy's illustration — sitting on the folding card table we eat dinner off of. It was next to a pile of random junk that had been mailed to me in the last few weeks but had not yet been filed away (and here "filed" means angrily flung into the junk room while muttering fuck words). Most of the stuff in there arrives like this, just strangers sending it through the mail. Sometimes you can get a sad glimpse into their lives via the packing material — one artifact came packed in wadded-up pages from that Jehovah's Witness magazine, The Watchtower, another was ensconced in shredded hospital bills, another in scraps of cardboard torn from three dozen boxes of the exact same Lean Cuisine frozen dinner.

Why do they send me this stuff? Well, you know how occasionally you get stuck with something purely because you don't know how to throw it away? Either because it seems too sacred to get smooshed in with moldy coffee grounds (an old Bible, an American flag, a birthday card from your grandma) or because it seems vaguely dangerous (old shotgun shells, a broken dagger)? All of the shit I've collected is kind of a combination of the two — sacred, lethal, or both. So, they dig up my address and stick it in the mail. "David Wong will know what to do with it!" No, I absolutely will not. It just piles up and the stuff that doesn't seem too dangerous gets sold on eBay (there's a whole "Metaphysical" category on the site now, it's great).

Among this week's junk had been a water-damaged "haunted" paperback copy of Bad as I Wanna Be, the autobiography of Chicago Bulls power forward Dennis Rodman. "Haunted" because this copy, and only this copy, had multiple chapters describing how Rodman conspired with several teammates to ritualistically murder over fifty prostitutes in the years they traveled with the team. It doesn't appear the book was doctored in any way, the pages have the same typeset as the rest, and they're exactly as aged. I did some Googling, could find no other reference to the existence of this edition of the book, or to the killings. As usual, I have no idea what it means.

Next to the book was a small piano-black twelve-sided box, each side etched with a different rune in emerald green. I waved my hand over the box and exclaimed, "ODO DAXIL!" The box unfolded and I felt radiant heat waft across my face. Inside was a glowing orange sphere the size of a marble. We got this one a couple of weeks ago. At first it didn't seem to do much other than emit quite a bit of heat but then, while John was over for Pancake and Video Game Night, he thought he heard a tortured wailing from within the sphere. I initially dismissed the idea, as he was pretty drunk and I think he always hears tortured wailing when he drinks. Still, the next day we took it to the middle school where a friend and former bandmate of John's named Mitch Lombard (nickname, "Munch") had gotten a job as a substitute science teacher despite his neck tattoos. He studied the glowing sphere under one of their microscopes for a silent moment, then looked up from the viewfinder to whisper, "His suffering is unimaginable, but the heat of his rage could incinerate the universe a million times over. All is lost. All is lost." Munch had then passed out, blood running freely from his nose. That was the last time we'd discussed it.

I grabbed a pair of tongs from a kitchen drawer, picked up the glowing sphere, and dropped it into my mug of cold coffee as the phone rang for what I knew would be the last time before it would get dumped to voice mail.

I cleaved off a ragged chunk of muffin with my fingers and answered, "Fuck you and all of the ancestors who led up to you."

"Dave? We got a missing little girl. You got a pen?"

"If it's a missing child, call the cops."

"The cops called me."

I closed my eyes and let out a breath that smelled like I'd eaten an entire wet dog and washed it down with sweat wrung from a hobo's undershirt. Let me give you a tip: if you're ever the victim of a terrible crime — like, say, your kid goes missing — and you see the cops consulting with a couple of white trash–looking dipshits in their late twenties, it's time to worry. It's not because John and I are incompetent at what we do — and I assure you, we are — but because you need to start asking yourself a very hard question. Not "Will I get my child back?" but "Do I want to get my child back?"

I dipped my finger into the coffee, which already felt near boiling. I fished out the burning orb and placed it back into its container, which automatically closed around it. I took a sip, winced, and decided that the first person to ever drink coffee was probably trying to commit suicide.

I asked, "What makes it a, you know, a Dave and John case?"

"It's another locked room situation, it looks like. There's more, I'll explain when you get here. But it looks pretty John and Dave to me. Do you have a pen? I have the address here."

"Just give it to me."

"One-oh-six Arlington Street. Next to the vape store?"

"You thought I needed pen and paper to remember that?"

"And hurry. I've heard you've only got forty-eight hours before the trail goes cold."

"You heard that in a movie. Last week. We watched it together."

He had hung up.

I sighed and ate another hunk of muffin. I glanced out the window, the bottom half glowing pink from the neon sign of the business downstairs. They left that sign on day and night; the constant hum made me want to blow my brains out.

Oh, well. It's not like I have anything else to do.

Still, I was going to finish my muffin first.

*
Let me tell you what's bullshit about every supernatural horror movie. Whenever the monster or angry ghost lady turns up, everyone is skeptical for at least the first third of the running time. It's usually between forty and fifty minutes in that the protagonists begrudgingly admit that the ominous Latin chants emanating from the walls aren't a plumbing issue. In real life, the very second Mom sees something red oozing from the ceiling, she thinks "blood" not "water from a rusty old pipe." I wish people were as skeptical as they are in the movies.

This town, the name of which will remain undisclosed for privacy reasons, has been called the Bermuda Triangle of the Midwest. Or at least, I think I heard somebody call it that. I actually wish that was true, too, because there's nothing to the Bermuda Triangle — just a bunch of routine maritime disasters that grew in the telling. A cargo ship never arrives at port and the headlines coyly say it "disappeared." It didn't "disappear," guys — it sank. It's a boat, in the ocean. Shit happens. What goes on in [undisclosed] is ... different.

My point is, it's hard to sort out the real stuff from the superstition. So, because I'm sick of getting your e-mails asking for advice, let me just quickly run through it:

1. If Your Home Has a Poltergeist

We got a ton of these calls after that movie Paranormal Activity came out, panicked people saying they had rocking chairs rocking by themselves, untouched drinking glasses scooting off a table, clocks running backward, etc. If you're in this situation, you can combat it using a technique known as "Getting the Fuck Over It." You're telling me you've got angry spirits of old murder victims or something floating around and they're causing less of a disruption to your life than an unruly house cat? Why not worry about your high blood pressure, or take a moment to see if your smoke detector batteries are up to date? Those things are way more likely to kill you than whatever is knocking over salt shakers in your kitchen at night.

2. If You Have Seen a Ghost

If you've seen, say, a translucent old woman in a long flowing gown drifting down your hall at night, that's almost definitely a hallucination or just a regular ol' dream. Think about it: why would a ghost be translucent? Smoke and fog look like they do because they're made of tiny particles suspended in the air. Are you suggesting the soul is made of tiny particles?

In reality, your whole idea of what a ghost looks like comes from Victorian era photos, when long-exposure cameras required the subject to sit still for several minutes due to the primitive technology. If the subject left halfway through, you'd get that ghostly image instead. Fun fact: this is also the reason nobody is smiling in those old pictures — try holding a smile for seven straight minutes. If you've actually seen a ghost — and I assure you that you probably have, within the last month — it would have just looked like any real, solid person. It's likely nobody saw that person but you and no, you can't photograph them. You're not seeing them with your eyes.

3. If an Evil Spirit or Demon Has Confronted You

If said entity appeared before you and started speaking, the good news is you're not losing your mind. Contrary to what TV and movies have told you, it's nearly impossible to have a hallucination that you can both see and hear — the mentally ill either just hear voices, or just see things, due to how the brain is wired. If you can both hear and see it, you're either just having a dream, or you have an actual demon in your home.

If it's the latter, you shouldn't bother listening too closely to what it has to say. It may sound really important — prophecies of future doom, that sort of thing — but I assure you, it's just toying with you. If you ignore it, it'll eventually get bored. The odds are it's not strong enough to possess you, kill you, or do serious damage to your property. If it tries, feel free to pray or put up lots of crosses in its field of vision; I've seen that work before. You don't have to go with Christian symbolism, but not all religions work (for reference, at the end of this book I have included an index of which religions are true and which are false — there are some real surprises). Also, try playing lots of 1980s era power ballads, they hate that. I think because it's the closest earthly approximation of the music they play in Heaven. I don't know, we're just guessing here. Conversely ...

(Continues…)



Excerpted from "What The Hell Did I Just Read"
by .
Copyright © 2017 David Wong.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Title Page,
Copyright Notice,
Dedication,
Prologue,
1. A Child Got Kidnapped by a Demon or Something,
2. A Screaming Clown Dick,
3. Joy Park,
4. A Monster's Pictures, a Grieving Widow, Sex,
5. Amy's Breakfast with Evil,
6. The Rain Continues, and Also John Dies,
7. The Battle of John's Living Room,
Book II,
8. Attack of the Fuckroaches,
9. Another Child Goes Missing,
10. A Flashback to Amy's Traumatic Waffle Experience,
11. This Isn't What it Looks Like, I Swear,
12. Diogee Wasn't a Good Dog,
13. Wait, What the Fuck?,
14. A Brief History of Invasive Fish Species in the Mississippi River and Their Impact on International Commerce,
15. Soy Sauce,
16. The Great Dildo Flood,
17. Joining Maggie for Breakfast,
Book III,
18. Once Again, Marconi Selfishly Tries to Steal the Spotlight,
19. The Crew Encounter Some Additional Complications,
20. The Ass Letter,
21. We All Must Learn from Kurt Russell's Tragic Mistake,
22. The Heroes Agree to Help Murder a Dozen Children,
23. A Plan with No Possible Flaws,
24. An Experiment Yields Some Inconsistent Data,
25. Well, They Certainly Fucked that Up, Didn't They?,
26. Grappling Hooks Aren't Cheap, You Guys,
27. This Womb of Mine,
28. A Completely Successful Plan that Ends the Story, This Is Probably the Final Chapter Right Here,
29. The Danger of Acting on Incomplete Information,
30. Mobile Surgery,
31. The Undisclosed Hospital Was Recently Renovated and Is Now a Pretty Nice Facility,
32. Five Days Later,
33. A Completely Uneventful Denouement. We Can Probably Cut this Part, Seriously, Stop Reading,
Afterword,
Also by David Wong,
About the Author,
Copyright,

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