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Wild Fire (Shetland Book 8) Kindle Edition
A woman's death sees rumours flood the island community – as Inspector Jimmy Perez's life is about to change forever. Wild Fire is the eighth Shetland mystery from Ann Cleeves.
Now a major BBC One drama, Shetland, starring Douglas Henshall.
A new English family have moved to Shetland, eager to give their autistic son a better life. But when a young nanny’s body is found hanging in the barn of their home, rumours of her affair with the husband begin to spread like wild fire.
With suspicion raining down on the family, DI Jimmy Perez is called in to investigate. For him it will mean returning to the islands of his on–off lover and boss Willow Reeves, who will run the case.
Perez is already facing the most disturbing investigation of his career when Willow drops a bomb-shell that will change his life forever. Is he ready for what is to come?
'Excellent' - The Guardian
'Even by her standards this is an outstanding thriller' – Sunday Express
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About the Author
ANN CLEEVES is the multi-million copy bestselling author behind three hit television series―Shetland, starring Douglas Henshall, Vera, starring Academy Award Nominee Brenda Blethyn, and The Long Call, starring Ben Aldridge―all of which are watched and loved in the United States. All three are available on BritBox.
The first Shetland novel, Raven Black, won the Crime Writers' Association Gold Dagger for best crime novel, and Ann was awarded the CWA Diamond Dagger in 2017. She was awarded the OBE in 2022 for services to reading and libraries. Ann lives in the United Kingdom.
Excerpt. © Reprinted by permission. All rights reserved.
Wild Fire
By Ann CleevesSt. Martin's Press
Copyright © 2018 Ann CleevesAll rights reserved.
ISBN: 978-1-250-12484-5
CHAPTER 1
Emma sat on the shingle bank and watched the kids on the beach below build a bonfire. They'd dragged pieces of driftwood into a pile; it was something to do to relieve their boredom. Nothing much happened in Deltaness. It was too far from Lerwick for an easy night out, and the buses stopped long before the bars closed. The night was clear and still and the light drained slowly away. In another month it would be midsummer. Emma was there because she was bored too. When she was a child she'd longed for boredom, for quiet, normal days free from tension. School and homework, and meals with the family that didn't end in anger, shouting or worse. Now, she thought, she'd inherited a need for excitement, a longing to fill her days with action and challenge, to provoke a response from the people in her life. A need to make things happen.
She stared out towards the horizon, where the sea and the sky had blurred into one, and wondered why was she still here in Deltaness then, working as nanny? A voice in her head told her that she was still in Shetland because she was scared of the world away from the islands. Here she was safe, in a tight community where she knew her place. If she hadn't been so scared, she'd have stuck with Daniel Fleming, run away south with him, become an artist or a model or a designer. Emma closed her ears to the voice. She didn't like to think of herself as scared. Life here wasn't so bad. It had its own compensations. She took a bottle out of her bag. This wasn't her wonderful new bag that stood on her bed, reminding her of those compensations, but the one she'd made herself out of a scrap of leftover fabric. She took a swig of vodka and passed the bottle to the man beside her.
Magnie Riddell handed it back and slid his arm around her back. Soon he would try to stick his tongue in her mouth. That made Emma feel a little bit sick. She liked men, but on her own terms, and sometimes she thought sex was seriously overrated. Magnie was kind, and as different from her father as it was possible to be, but she still found it hard to be physically close to him.
The fire was lit now. She could feel the heat from the flames even from here, and sparks spiralled into the sky. Below them the kids were passing round cans of lager and cider. They were singing some chant she couldn't recognize, something about sport, or a verse stolen from the Up Helly Aa fire festival. Then she heard a sound behind her of pebbles shifting and rattling, and a small child appeared on the bank above them. He stared into the fire, apparently mesmerized. She recognized him at once. This was Christopher, Daniel Fleming's strange boy.
The group below caught sight of him and stared back. They began to laugh and shout. Magnie pulled away his arm and turned towards her. Obviously he expected Emma to intervene, to take care of the child. But she was off-duty and she was bored. She watched the scene play out below her and she smiled.
CHAPTER 2Magnie Riddell was feeling old. He shouldn't be here with these kids; his mother would get to hear of it, because gossip spread through Deltaness even more quickly than it had when he was a bairn. Then, there might have been a chance of getting away with the occasional piece of mischief. Now even his mother was on Facebook, and it would just take one photo of him sitting next to Emma on the beach, his face lit by the flames and a bottle in her hand, for her to begin the old lecture. About how Magnie was all she had, now his father had left them for that foreign tart in Lerwick; about how he'd already caused her family disgrace: No one has ever been in trouble with the police before. I couldn't show my face in the shop for a month. You need to grow up, Magnie. Settle down with a nice local girl and make me a grandmother.
Magnie turned to Emma, who sat, prim and neat as his mother's Siamese cat, although she'd drunk as much as he had. That was what made her different from the local lasses who yelled and swore as much as the boys. She never lost control. She and Magnie were on the shingle bank, leaning back on their elbows, a little way from the fire and looking down on it. That was Emma too, always a little apart.
'Should we get back?' He thought perhaps she would allow him into the bedsit she had in the doctor's big house. She'd let him in once before and they'd lain on the narrow bed, and she'd let him touch her and kiss her, and he'd been wild with desire for her. Later, he'd slipped down the back stairs and out into the night without anyone seeing him. Scared and frustrated and excited, all at the same time. He'd hoped that might be the start of something, that it would make him her boyfriend and not just her friend. But the thing about Emma was that you could never be sure of anything. Even when they were kissing, when he'd unbuttoned her blouse and felt her skin against his, he'd felt that she was distant. An outsider looking in on what they were doing. Not exactly judging his performance, but not really engaged. He still didn't know quite where he stood with her and, for some reason that he couldn't work out, he was too frightened to ask her. Sometimes he wanted to lash out at her, to force Emma to take him seriously.
'I can't,' she said. 'Martha and Charlie are here and I need to keep an eye on them and walk them back.' Her voice was calm; there was something about her slow Orcadian voice that turned him on, drove him crazy. Just at that moment he would have done anything to possess her.
'I see. Of course.' Because what else could he say? She'd worked as a nanny for the doctor's family for years and though the two oldest were teenagers, she still felt responsible for them, in a way that he considered admirable. Even if it was frustrating tonight. Emma was more responsible, he thought, than the doctor and his wife, who never seemed to know or to care what their four children were up to. Without Emma, they would be allowed to run wild.
He looked down at the group by the fire to search for the Moncrieff kids. The only light came from the flames and so at first it was hard to make them out. He saw Martha first. She was sixteen, dark-haired. Since she'd started at the Anderson High, he'd never seen her wearing anything other than black. She was sitting cross-legged on the sand, brooding. The Deltaness gossip had her down as weird, attention-seeking. His mother tutted whenever she spoke of her: That girl will come to no good. And why those piercings and the haircut that looks as if someone's been at it with a scythe? She'd be attractive enough, if she made something of herself. He wondered, slightly drunk now, why his mother's words always seemed to appear in his head when he was least expecting them. He wished he could get rid of them, of her.
Charlie was fifteen, a year younger than his sister, blond, athletic. Magnie couldn't imagine him brooding about anything. Now he had his arm around a friend and they were singing. Maybe a football chant. Nothing musical, at least. From where he sat, Magnie couldn't hear anything like a tune. Just a beat. Charlie was waving a can of strong lager in the air. Soon he'd be sick. Magnie recognized the signs. He'd started drinking when he was a youngster too.
Behind Emma and Magnie, the shingle shifted. Magnie heard the clacking of smaller pebbles and felt them stinging his bare arms. He turned round. He hoped it wasn't one of the community elders, demanding that they keep the noise down or that they put out the fire. Then his mother would certainly get to hear he'd been on the beach with Emma. Recently, Magnie hadn't been entirely truthful when his mother quizzed him about the nanny. What business was it of hers, after all?
But a boy stood there. A young boy. He was dressed in a white T-shirt and white shorts, so it looked as if he was in his underwear, that he'd sleepwalked out of a dream. Magnie recognized him. His mother had pointed him out when he'd walked with her to the shop one morning: 'That's the daft child that lives in Dennis Gear's old place. They say he set fire to the school and he'll set fire to us all one day.' Magnie hadn't said anything. He knew his mother had had a soft spot for Dennis Gear – there'd been rumours about him and her having a fling at one time – and she hated the fact that the house had been changed so much. And maybe there was a touch of guilt about the way the old man died.
Now he felt sorry for the child, who looked so confused. The chanting around the fire, which had started as something to do with mocking a rival sports team, changed, became nastier. He made out the word and couldn't quite believe what he was hearing. 'Retard, retard, retard.' Magnie looked at Emma. She worked with children. Surely she would do something, take the boy into her arms and comfort him. They had to get him back to his family. But Emma made no move. She was still observing the scene below her. Magnie thought perhaps she was checking on Charlie and Martha. She wasn't looking at the boy standing above them. Magnie stood up and yelled at the group to stop their taunting, but his words were swallowed up by the noise. The chant changed. Now they were calling: 'Hangman, hangman, hangman.'
The boy had his eyes shut, his hands over his ears to block out the sound and the sight. Magnie couldn't believe that folk could be so cruel. He knew they weren't all cruel people. It was the drink and the fact that they were anonymous, part of the gang, changed by the flickering light into one monstrous, shouting whole.
Magnie scrambled up the bank to the child and picked him up in his arms. The boy didn't struggle. He felt very light, like a bird. There was no flesh on him. At the other side of the bank, out of sight of the fire and the teenagers, he set the boy on his feet. The chanting had stopped, as if the hidden kids were suddenly ashamed of what they'd done. Magnie took the child's hand. 'It's Christopher, isn't it? Come on then, Christopher, your mother and father will wonder where you are. Let's get you home to them.'
It was only when he turned back that he saw the shadow. A shape that he recognized, staring after him.
CHAPTER 3They stood in the playground, waiting for the kids to be let out for the day. The biggest proportion were mothers, but there were two fathers, three grandmothers and the young woman who worked as a nanny for the doctor's family. Most afternoons they gathered into small friendship groups and the exchanges were desultory, light-hearted. After nine months, Helena Fleming knew what to expect. There was a little harmless chat, anecdotes about other children's antics and achievements. She never felt quite part of the group and seldom spoke of her own children, but was prepared to be a willing audience.
Today, though, there seemed to be more cohesion, more purpose to the conversation, and she hesitated for a moment before entering. The gate creaked when Helena pushed it open and the group turned towards her. She knew they'd been talking about her, waiting for her arrival. Suddenly they morphed in her head into something from a horror film, became more like a pack of hunting dogs than the neighbours she'd thought she knew rather well. They were greedy for gossip and for a moment she had a picture of them tearing her apart to get it, their heads thrust forward, slavering. She wanted to run, surprised at how frightened she felt. She was a strong, independent woman, successful in her own right, and she shouldn't be feeling like this: numb, mindless, shaking. Shock and a residual pride kept her there, facing them. And really, she told herself, what could they do to her? They would be reluctant to make a scene. On the surface, at least, Shetlanders were a polite bunch. She turned her back and stooped, pretending to tie a shoelace, so she wouldn't have to look at them.
At that moment, the first class was released into the playground. Helena's children were older, but the waiting carers scattered to collect their offspring and immediately they became less threatening. They filled their arms with school bags and coats. Because this afternoon no coats were needed. It was May and warm for Shetland. The moment of tension had passed, at least for another day, and Helena relaxed, told herself that her reaction – the image of the hunting dogs – had been ridiculous. She should have faced the group, approached them and made conversation. How pathetic she'd been! How cowardly!
Ellie ran out soon after, elbows and knees flailing, socks around her ankles, chalk or paint on her forehead and down the front of her jumper. Talking. Sometimes Helena thought the girl had been born talking. Demanding attention, at least. Helena was used to listening with half her brain, nodding occasionally. It came to her, with a sudden dreadful moment of guilt, that she'd employed exactly the same tactics with her mother, when she was in the final stages of Alzheimer's. Helena bent towards her daughter and tried to focus, but she'd missed the beginning of Ellie's story and what she was saying now made no sense. Besides, Ellie couldn't stand still for more than a moment and the girl was already bouncing away.
Christopher was the last to emerge, accompanied by the support worker. Christopher always came out last, always accompanied. Helena thought it would do him good to mix with the others, because how could he learn the rules of interaction if he was never given the chance? She still hadn't plucked up the courage to question the issue, though. She could understand why the school wanted to play safe, but she hated the way he was made to feel different. He was eleven, tall, dark-haired and dark-eyed. Beautiful. The support worker always insisted on feeding back any issues of the day. In London, the school had been too busy for that sort of service. There were too many children with problems. Then Helena would have been grateful to hear how Christopher had managed in class. She'd longed for information, for her child to be given the attention she felt was his due. Now the daily ritual depressed her. She didn't want to know that Christopher had sworn at one child or bitten another. She was exhausted by the pity and the understanding. She almost preferred the playground parents' hunger for information about her strange fire-setting child and her melancholic husband.
'Well, we've had quite a nice day.' The worker was a Shetlander, always cheery, even when passing on the most embarrassing news. 'Haven't we, Christopher?' She had at least learned that he disliked intensely being called Chris.
Christopher looked at his mother and rolled his eyes. Helena thought it was this arrogance that provoked much of the antagonism directed towards him. He was bright – at least he had a fabulous memory, and the logic to solve maths problems – and because he thought he was the centre of the universe, sometimes he treated the adults around him, including his mother, as domestic servants.
'A bit of a temper tantrum at lunchtime, but nothing we couldn't handle.' Becky, the support worker, smiled. 'No messing about with matches today. See you in the morning, Christopher.'
He was wearing shorts and a T-shirt. Sandals. No jumper and no socks. His preferred outfit even in midwinter. He didn't seem to feel the cold, but hated the sense of fabric next to his skin, even natural fibres like cotton or wool. He never wore pyjamas and wandered round the house without any clothes at all, if he could get away with it. The school had got used to his scanty clothing now, but in the early days there'd been a daily phone call from the head asking why the boy had come in without a coat. 'We like them to get some fresh air, even when it's chilly.' Helena had tried to explain and then had sent Christopher to school with a coat and a jumper in a bag, muttering under her breath: And if you can get him to wear them, let me know your secret. Hoping, of course, that they wouldn't manage it, and she would be proved right. She had been proved right and the phone calls had stopped.
Christopher stood and waited while the exchange between Becky and his mother was taking place. He didn't fidget, like Ellie. There was a twitch occasionally, or he'd bite his nails or pick at his skin until it bled and formed a scab. This conversation between home and school was a routine that had to be gone through, and Christopher understood routine. By the time the meeting was over, the playground was empty. Helena shouted to Ellie, who was hanging by her legs from the climbing frame, to come down so they could go home.
(Continues...)Excerpted from Wild Fire by Ann Cleeves. Copyright © 2018 Ann Cleeves. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B07BDLDKV4
- Publisher : Macmillan
- Accessibility : Learn more
- Publication date : September 6, 2018
- Edition : Main Market
- Language : English
- File size : 1.9 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 416 pages
- ISBN-13 : 978-1447278276
- Page Flip : Enabled
- Book 8 of 8 : Shetland
- Reading age : 18 years and up
- Best Sellers Rank: #578,909 in Kindle Store (See Top 100 in Kindle Store)
- #1,115 in Police Procedurals (Books)
- #1,379 in Police Procedurals (Kindle Store)
- #2,649 in Small Town & Rural Fiction (Books)
- Customer Reviews:
About the author

Ann is the author of the books behind ITV's VERA, now in it's third series, and the BBC's SHETLAND, which will be aired in December 2012. Ann's DI Vera Stanhope series of books is set in Northumberland and features the well loved detective along with her partner Joe Ashworth. Ann's Shetland series bring us DI Jimmy Perez, investigating in the mysterious, dark, and beautiful Shetland Islands...
Ann grew up in the country, first in Herefordshire, then in North Devon. Her father was a village school teacher. After dropping out of university she took a number of temporary jobs - child care officer, women's refuge leader, bird observatory cook, auxiliary coastguard - before going back to college and training to be a probation officer.
While she was cooking in the Bird Observatory on Fair Isle, she met her husband Tim, a visiting ornithologist. She was attracted less by the ornithology than the bottle of malt whisky she saw in his rucksack when she showed him his room. Soon after they married, Tim was appointed as warden of Hilbre, a tiny tidal island nature reserve in the Dee Estuary. They were the only residents, there was no mains electricity or water and access to the mainland was at low tide across the shore. If a person's not heavily into birds - and Ann isn't - there's not much to do on Hilbre and that was when she started writing. Her first series of crime novels features the elderly naturalist, George Palmer-Jones. A couple of these books are seriously dreadful.
In 1987 Tim, Ann and their two daughters moved to Northumberland and the north east provides the inspiration for many of her subsequent titles. The girls have both taken up with Geordie lads. In the autumn of 2006, Ann and Tim finally achieved their ambition of moving back to the North East.
For the National Year of Reading, Ann was made reader-in-residence for three library authorities. It came as a revelation that it was possible to get paid for talking to readers about books! She went on to set up reading groups in prisons as part of the Inside Books project, became Cheltenham Literature Festival's first reader-in-residence and still enjoys working with libraries.
Ann Cleeves on stage at the Duncan Lawrie Dagger awards ceremony
Ann's short film for Border TV, Catching Birds, won a Royal Television Society Award. She has twice been short listed for a CWA Dagger Award - once for her short story The Plater, and the following year for the Dagger in the Library award.
In 2006 Ann Cleeves was the first winner of the prestigious Duncan Lawrie Dagger Award of the Crime Writers' Association for Raven Black, the first volume of her Shetland Quartet. The Duncan Lawrie Dagger replaces the CWA's Gold Dagger award, and the winner receives £20,000, making it the world's largest award for crime fiction.
Ann's success was announced at the 2006 Dagger Awards ceremony at the Waldorf Hilton, in London's Aldwych, on Thursday 29 June 2006. She said: "I have never won anything before in my life, so it was a complete shock - but lovely of course.. The evening was relatively relaxing because I'd lost my voice and knew that even if the unexpected happened there was physically no way I could utter a word. So I wouldn't have to give a speech. My editor was deputed to do it!"
The judging panel consisted of Geoff Bradley (non-voting Chair), Lyn Brown MP (a committee member on the London Libraries service), Frances Gray (an academic who writes about and teaches courses on modern crime fiction), Heather O'Donoghue (academic, linguist, crime fiction reviewer for The Times Literary Supplement, and keen reader of all crime fiction) and Barry Forshaw (reviewer and editor of Crime Time magazine).
Ann's books have been translated into sixteen languages. She's a bestseller in Scandinavia and Germany. Her novels sell widely and to critical acclaim in the United States. Raven Black was shortlisted for the Martin Beck award for best translated crime novel in Sweden in 200.
Bio and photo from Goodreads.
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Customers love this Shetland Island mystery book, praising its good storylines with twists and turns that keep them guessing until the end. They appreciate the beautiful descriptions of the Shetland Isles, with one customer noting how the landscapes come to life through the writing. The book features well-developed characters throughout the series, and customers find it riveting from start to finish, with a powerful sense of place.
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Customers find the book highly readable and enjoyable, particularly praising the Shetland series, with one customer noting that the first four novels were wonderful.
"...entry in Cleeves's popular Shetland series, which is now a hit television show, both sides of the pond, starring Scottish born Douglas..." Read more
"...On the one hand, both the books and the TV program are highly entertaining, with those stark brooding Shetland vistas matching the brooding..." Read more
"All Ann Cleeves books are fantastic! The Vera Stanhope ones are great too. The books are all easy reading with very little slowing" Read more
"I love Ann Cleeves! she’s an absolutely brilliant writer and I always look forward to the next book her characters are so real and her descriptions..." Read more
Customers enjoy the plot of the book, praising its well-wrought mysteries with good storylines and twists that keep them guessing until the end.
"...These are not frenetically paced, plot driven mysteries. There is action and tension, but there are also thoughtful moments...." Read more
"...This book, like the others in both series, is extremely well-written as to plot, narrative, dialog...." Read more
"...But the series is done, and we wish Detective Inspector Perez and his boss Willow Reeves the best in their new career undertakings." Read more
"...descriptions of the islands are so beautiful and detailed your stories are complex and exciting as well she is the best of the best" Read more
Customers appreciate the character development in the book, noting good plotting and character growth throughout the story, with one customer highlighting how the Shetland Islands themselves play a significant role in the narrative.
"...She is a writer that has created very memorable characters in Jimmy Perez (the lead in this series) and Vera Stanhope..." Read more
"...writer and I always look forward to the next book her characters are so real and her descriptions of the islands are so beautiful and detailed your..." Read more
"...I was hooked and finished buying the series for us. A great easy read with characters who's lives are of interest following...." Read more
"...of the Shetland isles, but most of all the Development of her characters throughout the book. This last book was no exception...." Read more
Customers appreciate the writing quality of the book, particularly the beautiful descriptions of the Shetland Isles, with one customer noting how the landscapes come to life through the author's prose.
"...moody, the small town, island setting is not idealized, and the writing is excellent. These are not frenetically paced, plot driven mysteries...." Read more
"...Paints a fine picture of the geography, culture, roadways and social ways of the islands that make up the Shetlands. Moves fast...." Read more
"...The Vera Stanhope ones are great too. The books are all easy reading with very little slowing" Read more
"...to the next book her characters are so real and her descriptions of the islands are so beautiful and detailed your stories are complex and exciting..." Read more
Customers find the book engaging and thrilling from start to finish, describing it as a riveting read.
"...The descriptions of Shetland were both soothing and fascinating - I found myself looking at the islands on Google maps to better understand the..." Read more
"...islands are so beautiful and detailed your stories are complex and exciting as well she is the best of the best" Read more
"...Jimmy is not perfect, never was, but he is compelling. And no, not every little thing needs to be wrapped up in a perfect package...." Read more
"...These are all the features which make her books so fascinating, intriguing and unpredictable... and sometimes mysterious especially when the plot is..." Read more
Customers appreciate the powerful sense of place in the book, with one customer noting how it delves into the depth of human conditions and another highlighting its engaging character development.
"...There is action and tension, but there are also thoughtful moments...." Read more
"...A great easy read with characters who's lives are of interest following. You don't have to start at book 1 but I recommend it." Read more
"...She has an understanding of how people, ordinary and extraordinary, think, what their motivations are, how they react to situations...." Read more
"...It leaves fewer clues as to the murderer’s identity for the reader than the previous books, and the solution could have gone in any of several ways..." Read more
Top reviews from the United States
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- Reviewed in the United States on November 4, 2018Anne Cleeves is a master. This book is the latest in her series set in the Shetland Islands. It is steeped in atmosphere with a strong sense of place. She is a writer that has created very memorable characters in Jimmy Perez (the lead in this series) and Vera Stanhope (the lead in her very fine series set in Northumberland). This series is one that should be read in order so that you will know the continuing characters, their backstories, their strengths, and the sorrows they carry. The murder investigation in this book begins with the discovery of a young woman’s body hanging in a shed. This is not the first body that has been found hanging here, since the shed was the location of a suicide of the previous owner. The young victim was the nanny for a neighboring family. In the Shetlands, murder requires the presence of CSI, medical examiners, and lead investigator from mainland Scotland. The atmosphere is moody, the small town, island setting is not idealized, and the writing is excellent. These are not frenetically paced, plot driven mysteries. There is action and tension, but there are also thoughtful moments. The reader follows the police detectives as they investigate the case and reveal the secrets. Anne Cleeves is an author to pre-order and follow along with a short list of others such as Louise Penny (Armand Gamache), Paul Doiron(Mike Bowditch), Martin Walker (Bruno, Chief of Police), Jean-Luc Bannalec (Brittany Murders), Mark Pryor (Hugo Marsten), Elly Griffiths (Ruth Galloway), Peter Livesey (Peter Diamond), and Cara Black (Aimee Le Duc). Her books are firmly in the murder genre, and yet a cut above. I pre-ordered this book and kept it on my list for a while just so that I could savor the anticipation of a new Shetland Island mystery. These characters could continue, but sadly, it appears that this might be the last book in the series. Say it isn’t so.
- Reviewed in the United States on July 27, 2019Wild Fire: A Shetland Island Mystery (Shetland Island Mysteries Book 8) by the English author Ann Cleeves.. Wild Fire is the much-anticipated final entry in Cleeves's popular Shetland series, which is now a hit television show, both sides of the pond, starring Scottish born Douglas Henshall.
As they hope for a fresh start, an English family led by a talented architect father and an equally talented fashion designer mother, move to Scotland’s remote Shetland Islands, eager to give their autistic son a better life.
Then the body of the young nanny to the wealthiest, most influential family, that of the local doctor, on this particular Shetland island, is found hanging in the barn beside the new family’s home. Accordingly, rumors of the nanny’s affair with the husband of the new family spread like wildfire. Not to mention that the body of that house’s past owner, a quite popular locally-born gent, was recently found hanging in the exact same place. Suspicion and resentment of the new family spread quickly in the isolated, gossipy community. Another dead body, this time of a little liked local, turns up. Detective Inspector Jimmy Perez must investigate. He knows it means his boss, Willow Reeves, will return to run the case; both must confront their complex relationship, as families fracture, long-hidden lies come to light.
Cleeves, formerly a fairly obscure writer, obviously hit pay dirt with the creation of television treatments of this series, and her other, about detective Vera, starring Academy Award Nominee Brenda Blethyn―both of which are watched and loved in the US. (Vera works in England’s northeast.) She deserves it. This book, like the others in both series, is extremely well-written as to plot, narrative, dialog. Paints a fine picture of the geography, culture, roadways and social ways of the islands that make up the Shetlands. Moves fast. Believable, hardly requires suspension of disbelief. Sure am happy that this fine writer has hit the big time, and glad I’ve found her.
- Reviewed in the United States on December 17, 2018It’s the end of the road for Detective Inspector Jimmy Perez of the Shetland Police Force.
“Wild Fire” by Ann Cleeves is the eighth and final volume in the Shetland mystery series. Cleeves is ending the popular series because, she says, she’s told all the stories she wanted to tell and she likes Shetlanders too much to kill off any more of them.
Two more die in “Wild Fire.”
A young nanny is found hanging in a barn of a home owned by English transplants. The nanny works for another family, and the scene is the site of the suicide of the man who previously owned the property. Forensic examination determines that the young woman was already dead when the body was hung. Her purse and shoes are also nowhere to be found.
Perez and his officer Sandy Wilson begin the investigation, but he’s required to call the case in to Aberdeen, and Willow Reeves arrives to lead. We met Reeves in Cold Earth, when she and Perez were investigating a case and soon found themselves investigating each other. Perez has deep feelings for Reeves, but he’s still not over the death of his fiancée Fran, for which he bears a sense of guilt.
Reeves arrives with some surprise news. She’s pregnant with Perez’s child. Perez responds with anger, believing he’s been taken advantage of or, at worst, used. He knew Reeves had wanted to have a child. The tensions of investigating the murder are overlaid with the tensions of their relationship.
They run across a woman who has a rather spiteful, gossiping tongue, and whose son was involved with the dead woman. Her gossiping tongue apparently gets her into more trouble than she expected; she’s found dead, a victim of strangling. The investigation of the two murders takes Perez and Reeves deep into the lives of the two families involved.
Cleeves has published eight mysteries in the Jimmy Perez / Shetland series, including “Raven Black” (2008), “Red Bones” (2009), “White Nights” (2010), “Blue Lightning” (2011), “Dead Water” (2014), “Thin Air” (2015), and “Cold Earth” (2017), with “Wild Fire” published in September. She’s also published eight mystery novels in the Vera Stanhope series (also a television series), six Inspector Stephen Ramsay mysteries, and several others works and short stories. The Jimmy Perez novels are the basis for the BBC television series “Shetland.” Cleeves lives in northeastern England.
As an enthusiastic reader of the Shetland books and an enthusiastic fan of the television program, I’m of two minds about the ending of the series. On the one hand, both the books and the TV program are highly entertaining, with those stark brooding Shetland vistas matching the brooding perspective of Perez. On the other hand, when it’s time for an author to stop a series, the author knows it. And perhaps it’s best to go out on a high note.
“Wild Fire” is as much the story of Willow Reeves as it is of Jimmy Perez. It leaves fewer clues as to the murderer’s identity for the reader than the previous books, and the solution could have gone in any of several ways – possible motives littered the Shetland landscape.
But the series is done, and we wish Detective Inspector Perez and his boss Willow Reeves the best in their new career undertakings.
Top reviews from other countries
- Richard GraydonReviewed in France on January 31, 2021
4.0 out of 5 stars Rather confusing
The plot seemed to stumble from family to family with no real strong characters to lock onto. Even at the denouement I was unsure of the personalities involved or links between them. The descriptive writing was very good.
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Jose ramon De la Fuente FernándezReviewed in Spain on March 17, 2021
5.0 out of 5 stars Calidad precio
Buen estado. El libro muy bien
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新しもの好きReviewed in Japan on November 14, 2018
4.0 out of 5 stars シェトランドシリーズ最終章、甘酸っぱい別れ
首吊り自殺のあった空き家に引っ越してきたのがフレミング一家で、ダニエルとヘレナ夫妻には11歳のクリストファーと7歳のエリーがいた。静かな土地で暮らせると期待したのだが古い土地柄で他所者はまったく受け入れてくれず、自閉症のクリストファーは苛められてヘレナはストレスが溜まる一方だった。医師のモングリーフ家には16歳のマ―サと15歳のチャーリーがおりエマがナニーとして働いていた。ある日クリストファーが自分の家の納屋でエマの首つり死体を見つけ、「あそこの家は呪われている」と再び一家は孤立してしまった。殺人と判断したジミー・ぺレス警部と部下のサンディに、ロンドンから飛んできた上役ウイロウ・リーヴスが加わって捜査を進めると、エマには不可解な点が多々あり、死体の見つかったフレミング家のダニエルとの仲が怪しいという風評がたって妻ヘレナは穏やかでない。一方第五作のDead Water(水の葬送・東京創元社)でペレス警部と恋仲めいた関係があったウイロウ・リーヴスが突然「あなたの子がお腹にいるのよ」と言いだし、ペレスは仰天する。これがずっとあとを引き事件解決後ウイロウが飛行機で旅立つ別れの場面でシリーズが終わるが、アガサ・クリスティめいた雰囲気作りで楽しませてくれつつもCleeves女史としては二人の関係の描きが浅かったな、という感想でお終いとなった。
- PamelaReviewed in Australia on August 17, 2018
5.0 out of 5 stars Highly recommended
While this is not the best of her Shetland series, Anne Cleeves cannot be beaten as a story teller. She has a way of creating mystery through atmosphere and plot that keeps you guessing until the end.
However what I particularly love about this book is the compassion she has for her characters. They are all human, and even the worst of them are deserving of our sympathy. Parental betrayal and abuse, lost love and poor choices: we can relate to them all and feel sadness as well as horror at the results.
It doesn't matter whether this is the first of the Shetland series you are intending to read, or the last, it is sure to give you many hours of pleasure and leave you pondering for days to come.
Highly recommended.
- Amazon CustomerReviewed in Canada on November 9, 2018
5.0 out of 5 stars Great finale to a great series
I've loved this series and was very disappointed to read that this would be the last book. Ann Cleeves has built a believable world in which I have become fully invested, with recognizable characters who seem like people one could meet anywhere. The setting, the rather remote Shetland Islands, is an important part of the stories and is vividly portrayed. The plots are believable, not dependant on wild coincidences or sudden new information. I shall miss this series.