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The Carnival of Ash Kindle Edition
Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter.
Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…
- LanguageEnglish
- Publication dateMarch 15, 2022
- File size3.6 MB
Editorial Reviews
Review
“Memorable” -- SFX Magazine ― SFX Magazine
“This is a fabulous book” -- The Historical Novels Review, Editor's Choice ― The Historical Novels Review
"A gorgeous, immersive triumph of Renaissance-flavored worldbuilding" -- Publishers Weekly, starred review ― Publishers Weekly
“[A] delicate study of the demise of society” -- SciFiNow ― SciFiNow
"It's a marvellously convincing dystopia" -- Guardian
“The zest and wit that Beckerlegge infuses into his fantastical Decameron is marvelous” -- Locus ― Locus
About the Author
Product details
- ASIN : B09QMPF4YX
- Publisher : Rebellion Publishing Ltd
- Accessibility : Learn more
- Publication date : March 15, 2022
- Language : English
- File size : 3.6 MB
- Simultaneous device usage : Unlimited
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 484 pages
- ISBN-13 : 978-1786184993
- Page Flip : Enabled
- Best Sellers Rank: #2,756,105 in Kindle Store (See Top 100 in Kindle Store)
- #2,668 in Historical Fantasy Fiction
- #8,705 in Historical Fantasy (Kindle Store)
- #10,596 in Historical Fantasy (Books)
- Customer Reviews:
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- Reviewed in the United States on May 2, 2022***Thank you to TheWriteReads and Rebellion Publishing for providing a copy of the book. I also purchased a copy of the audiobook, which helped me finish this book on time for my stop on the blog tour. My review contains my honest thoughts about my reading/listening experience.***
This book was nothing like I expected it to be. It was more of a literary alternate historical fiction tale than one of traditional fantasy. Literary fiction is something I don't typically read, but I actually enjoyed a lot about this one once I got over the shock of how different the book was from what I anticipated. The writing had a beautiful, lyrical quality to it that completely sucked me in while reading (and maybe even more so while listening to the audiobook). It felt like the writing in the book was something similar to what the poets in the book would have written themselves (beautiful, but a bit dense and pretentious), which added another layer to the storytelling and helped with the immersion into their world.
The world-building was truly spectacular. The city of Cadenza really came to life in a vivid way, and I felt transported to renaissance-era Italy. The seedy underbelly of the city slowly came to light more and more as the stories unfolded, and I liked how the city itself became the main character of the book with each POV lending a peek into a different facet of its history and current affairs. However, there were times it all got a bit confusing because of the non-linear nature of the story and sheer volume of information, and I did find myself going back at several points to try to see if I missed something.
The structure of the story was very unique, and I think it was both a major strength and weakness of this book. The book consisted of 12 shorter stories with different POVs, each of which gave a look into some aspect of the city of Cadenza. The overall plot of the corruption and downfall of the city was weaved throughout the twelve stories very subtly at first with growing prominence as the book progressed. I enjoyed each of the individual stories for the most part (the clever take on plagiarism was probably one of my favorites) and honestly thought this was such an interesting way to approach telling a story that I didn't want to stop reading it. That being said, there were plenty of times the stories felt pointless in the larger narrative, and the switching of POVs so often felt abrupt and disorienting. So, I really think some people will like the experimental nature of the story structure and others will definitely not. Personally, I thought it was interesting but also found myself wishing for a more traditional structure.
There were several characters that I really enjoyed reading, including Carlo, Maddelina, Ercole, and Cosimo. However, I didn't feel especially connected to any of them because of the large number of POVs. Even in the 500+ pages, there just wasn't enough time to really get to know any of the characters that well. I also often lost track of who each character was supposed to be because there were so many of them. Truthfully, I don't even remember half of the characters only a day after finishing the book. I think the story would have worked better if it followed a handful of POVs using a more traditional structure, maybe using Carlo as the outsider perspective who slowly strips back the layers of corruption from the city he so desperately wants to be a part of. There was a compelling tale with interesting characters buried within these stories. I'm just not convinced this was the best way to tell it even though I found most of it enjoyable enough to read.
Ultimately, I have mixed feelings about this one but enjoyed it overall. There was plenty to like with the beautiful writing, immersive world-building, and unique story structure. However, the story structure also worked against the book somewhat by making it quite complex with disorienting POV shifts and limiting the characters by never giving me as much as I wanted from them. The audiobook was quite good, though, and the prose sounded beautiful when read aloud by the narrator. All of that considered, I think this book falls somewhere between 3 and 4 stars, but I'm going to round up to 4 because the author had the guts to create something so unique.
- Reviewed in the United States on October 10, 2022The Carnival of Ash is a historical novel set in the 16th century Italy, at the time of city states. It takes place in Cadenza, a made-up city somewhere near Venice. Where Venice takes pride in its glass industry, Cadenza’s entire existence is based on words. Poets are revered, and the leader of the town is chosen by his ability to turn a beautiful phrase.
And then he dies, and a politician more concerned with finances and impending attack by Venice is chosen to lead. It starts a series of events that plunge the city into chaos and destruction.
This is a book that takes the poetic form very seriously. It’s divided into twelve cantos that each tell a story of a different character. Some of them touch the lives of other characters who in turn get to tell their stories; some only make one appearance. In a relatively short space, with carefully chosen words, the reader is shown a crucial moment, or gets a longer account of the character’s life.
At first it seems like the form is all there is. But gradually, a story emerges. Not everyone is happy about the state of affairs in Cadenza; not everyone revered the late leader; not everyone becomes a great poet; and not everyone makes it to greatness with their own words—or in their hometown.
A few characters rise above the others. Carlo is an aspiring poet who arrives at Cadenza just as the leader has died. With brashness of a youth, he tries to make a name for himself, only to be ridiculed; the worst fate there is. Honour demands that he clears his name with a glorious act, by killing himself or burning the city. Instead, he ends up living in the basement of a burned church with an eccentric gravedigger. Eventually, he makes friends among the poets and ends up being at the right spot at a crucial moment.
There are sisters Vittoria and Maddelina. The former is an ink maid whose sole purpose is to write letters, the latter a free spirit befriending the young poets. Vittoria is plunged into a personal crisis with the leader’s death, leaving Maddelina the thankless job of trying to save her.
Then there is a group of women convicted of real or imaginary crimes to live in a convent with their tongues removed, their sole task to remove all mentions of the rivals of the former leader from the books. After his death, the women decide to take revenge on him by removing his memory, but things get out of hands.
Even the characters that make only a brief, onetime appearance have interesting stories. There’s a murder mystery and a delightful union of long-lost lovers. They may seem like separate stories, but each contribute to the whole, telling a story of corruption and a fall out of glory. And all the while, behind the scenes, the ordinary people of Cadenza prepare to take to arms to clear the town of poets and the tyranny of words for good.
This was an excellent book. The world felt authentic, even though it didn’t pile on historical details, and even with some fantastical elements in the mix, it didn’t feel purely like historical fantasy, although it is marketed as such. The characters were all interesting, and the slowly unfurling descend into chaos was believable. Language was beautiful, and in the end, the form served the story very well. If you like historical fiction, alt-history, or historical fantasy, this is a book for you.
- Reviewed in the United States on May 5, 2022I must admit that I had different expectations at the beginning, with the book being marketed as fantasy. Reading the blurb, I’d conjured images of sweeping libraries and even poets battling it out with words, flyting style (or some other). Fortunately, I’d gotten some feedback before I had the time to start reading that this was a different kind of book, so I had the opportunity to realign my expectations.
Also, be warned of suicidal ideations in the first part. And… well, there’s a lot, really. It’s not that easy a book to get through; there’s violence, abuse, misogyny, sexism, among others. It gets dark. But then, the story is about a city that’s falling apart. Call it what you will – descent into madness, crash into hell. Yeah.
So with that out of the way…
The writing’s definitely appropriate for a book featuring a “city run by poets.” It’s rich and beautiful, though not a fast read. (Then again, I do struggle a bit more with literary type pieces, as opposed to those with “simpler” prose and screenplay material. But that’s just me.) I always love a story from multiple perspectives that blend together in some fashion though, especially if the characters are intriguing, even if I have to waddle through the confusion for a while. And I don’t shy away from dark(er) themes, so there’s that.
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Top reviews from other countries
- BookliteratiReviewed in the United Kingdom on April 11, 2022
4.0 out of 5 stars A city of literature and poetry
As soon as I read about The Carnival of Ash I knew I had to read it, so pre ordered it. What drew me to this book was that it was set in Italy, it was historical and most of all the imagined city of Cadenza, a city of poets, writers and libraries: this sounded the perfect society to me as a book lover. You would think it to be a city of culture, learning and harmony, with the leader even being a poet. But what Tom Beckerlegge creates is a city in turmoil, with the leader dead, and the citizens not happy with the new leader, who is a bureaucrat rather than poet. As revolution begins, Cadenza finds itself in turmoil with the threat of destruction from both outside and inside forces.
Each chapter is labeled as a Canto, keeping the theme of poetry throughout the book. There are twelve cantos in all, with each telling the story of a character who lives in Cadenza. I was surprised by this as I expected a continued story rather than twelve seperate stories. As I continued with the book, I did get into the flow and the stories of these wonderful and memorable characters, and Canto Twelve did bring some of the stories together. Some of my favourite characters were Vittoria/Hypatia, an Ink Maiden, who writes letters to clients who are unrequieted in love. She writes of their fantasies and desires whatever they maybe. Lucrezia Pitti, punished for the crimes of her family who spends her time re-writing books to erase parts of the past that the Artifex, leader of the city, wants changed. All the characters are beautifully drawn, full of vitality but not all very nice.
Tom Beckerlegge’s writing is as beautiful and lyrical as the imagined poetry in the book. His descriptive prose and attention to detail bring the city into full technicolour; the fountains filled with ink rather than water, the less salubrious printing district, the many libraries and Accademia with their frescoed walls and thousands of books. What came to mind whilst reading this book was how much it reminded me of Renaissance Florence, with the beautiful buildings and with the names chosen by the author that had a Florentine connection like the Pitti family and Cellini. There is however a darker side to this book, the debauchery, violence, murder and mutilation in the name of punishment that gave a menacing undertone to Cadenza.
After a shaky start, I fell into the rhythm of this book, with the varied perspectives of the different characters, and the world building of Cadenza. Beautifully written with the perfect balance of fun and fivrolities and the darker side of the human condition, The Carnival of Ash slowly reeled me in until I was hooked. If you are looking for a different read, full of intriguing characters then I highly recommend you add this to your TBR.