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The Late Show Hardcover – July 18, 2017
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Renee Ballard works the night shift in Hollywood--also known as the Late Show--beginning many investigations but finishing none, as each morning she turns everything over to the day shift. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.
But one night she catches two assignments she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her partner's wishes, she works both cases by day while maintaining her shift by night. As the investigations entwine, they pull her closer to her own demons and the reason she won't give up her job, no matter what the department throws at her.
- Print length448 pages
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateJuly 18, 2017
- Dimensions6.5 x 1.5 x 9.63 inches
- ISBN-100316225983
- ISBN-13978-0316225984
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From the brand

#1 New York Times Bestselling Author
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The Detective Ballard Series
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The Lincoln Lawyer Series
Editorial Reviews
Review
"The Late Show introduces a terrific female character: Detective Renée Ballard. . . The pacing of Ballard's debut story is breathless. . . Ballard is complicated and driven enough to sustain the series Connelly doubtless has in mind for her." ―Janet Maslin, The New York Times
"The most intriguing mystery in The Late Show, though, is Ballard herself. Connelly is too skillful to hand us her resume in one document dump; instead, he fills out her portrait with a subtle hand over the course of the novel, a little background here, a glimpse of her temperament there, the revelation of her unusual living conditions sketched in between."―Colette Bancroft, Tampa Bay Times
"Det. Renée Ballard is a formidable character, an insightful and tenacious investigator with an unusual background and a sturdy personality to carry a series... Connelly has achieved success as one of the top mystery writers by continuing to keep his storytelling fresh. In The Late Show, he delivers an exciting police procedural with a unique character."―Oline Cogdill, South Florida Sun-Sentinel
"Few writers can capture the gritty streets of L.A.-and the inner workings of the LAPD-like Connelly."―Entertainment Weekly
"It's a sharp move that allows him to shift his perspective in fresh and meaningful ways. Writing about the instantly appealing police Detective Renee Ballard also recharges Connelly, who has never been in better form."―Lloyd Sachs, Chicago Tribune
"Ballard is a force that with just one novel will easily be as beloved. There's no doubt Connelly is a master of crime fiction, and The Late Show cements that reputation."―Jeff Ayers, Associated Press
PRAISE FOR MICHAEL CONNELLY:
"Michael Connelly is an undisputed master."―Chuck Leddy
"Any new book by Michael Connelly is a cause for celebration."―Jackie Cooper, Huffington Post
"A masterpiece."―Steve Forbes, FORBES
"Welcome Renée Ballard to the City of Angels' crime fighting pantheon. . . Connelly excels at writing principled outsiders, and Renée Ballard hews to this archetype."―Paula L. Woods, Los Angeles Times
"More perhaps than any of Connelly's much-honored other titles, this one reveals why his procedurals are the most soulful in the business: because he finds the soul in the smallest details, faithfully executed."―Kirkus Reviews (Starred Review)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Late Show
By Michael ConnellyHachette Book Group
Copyright © 2017 Hieronymus, Inc.All rights reserved.
ISBN: 978-0-316-22598-4
CHAPTER 1
Ballard and Jenkins rolled up on the house on El Centro shortly before midnight. It was the first call of the shift. There was already a patrol cruiser at the curb out front and Ballard recognized the two blue suiters standing on the front porch of the bungalow with a gray-haired woman in a bathrobe. John Stanley was the shift's senior lead officer — the street boss — and his partner was Jacob Ross.
"I think this one's yours," Jenkins said.
They had found in their two-year partnership that Ballard was the better of the two at working with female victims. It wasn't that Jenkins was an ogre but Ballard was more understanding of the emotions of female victims. The opposite was true when they rolled up on a case with a male victim.
"Roger that," Ballard said.
They got out of the car and headed toward the lighted porch. Ballard carried her rover in her hand. As they went up the three steps, Stanley introduced them to the woman. Her name was Leslie Anne Lantana and she was seventy-seven years old. Ballard didn't think there was going to be much for them to do here. Most burglaries amounted to a report, maybe a call for the fingerprint car to come by if they got lucky and saw some indication that the thief had touched surfaces from which latent prints were likely to be pulled.
"Mrs. Lantana got a fraud alert e-mail tonight saying someone attempted to charge a purchase on Amazon to her credit card," Stanley said.
"But it wasn't you," Ballard said to Mrs. Lantana, stating the obvious.
"No, it was on the card I keep for emergencies and I never use it online," Lantana said. "That's why the purchase was flagged. I use a different card for Amazon."
"Okay," Ballard said. "Did you call the credit-card company?"
"First I went to check on the card to see if I'd lost it, and I found my wallet was missing from my purse. It's been stolen."
"Any idea where or when it was stolen?"
"I went to Ralphs for my groceries yesterday, so I know I had my wallet then. After that I came home and I haven't gone out."
"Did you use a credit card to pay?"
"No, cash. I always pay cash at Ralphs. But I did pull out my Ralphs card to get the savings."
"Do you think you could've left your wallet at Ralphs? Maybe at the cash register when you pulled out the card?"
"No, I don't think so. I'm very careful about my things. My wallet and my purse. And I'm not senile."
"I didn't mean to suggest that, ma'am. I'm just asking questions."
Ballard moved in another direction, even though she wasn't convinced that Lantana had not left her wallet behind at Ralphs, where it could have been snatched by anybody.
"Who lives here with you, ma'am?" she asked.
"No one," Lantana said. "I live alone. Except for Cosmo. He's my dog."
"Since you got back from Ralphs yesterday, has anyone knocked on your door or been in the house?"
"No, nobody."
"And no friends or relatives visited?"
"No, but they wouldn't have taken my wallet if they had come by."
"Of course, and I don't mean to imply otherwise. I'm just trying to get an idea of comings and goings. So you're saying you have been home the whole time since Ralphs?"
"Yes, I've been home."
"What about Cosmo? Do you walk Cosmo?"
"Sure, twice a day. But I lock the house when I go out and I don't go far. He's an old dog and I'm not getting any younger myself."
Ballard smiled sympathetically.
"Do you take these walks at the same time every day?"
"Yes, we keep a schedule. It's better for the dog."
"About how long are your walks?"
"Thirty minutes in the morning and usually a little longer in the afternoon. Depending on how we feel."
Ballard nodded. She knew that all it would have taken for a thief cruising the area south of Santa Monica was to spot the woman walking her dog and follow her home. He'd keep watch to determine if she lived alone and then come back the next day at the same time when she took the dog out again. Most people didn't realize that their simplest routines made them vulnerable to predators. A practiced thief would be in and out of the house in ten minutes tops.
"Have you looked around to see if anything else is missing, ma'am?" Ballard asked.
"Not yet," Lantana said. "I called the police as soon as I knew my wallet was gone."
"Well, let's go in and take a quick look around and see if you notice anything else missing," Ballard said.
While Ballard escorted Lantana through the house, Jenkins went to check whether the lock on the back door had been tampered with. In Lantana's bedroom, there was a dog on a sleeping cushion. He was a boxer mix and his face was white with age. His shining eyes tracked Ballard but he did not get up. He was too old. He emitted a deep-chested growl.
"Everything's all right, Cosmo," Lantana assured him.
"What is he, boxer and what?" Ballard asked.
"Ridgeback," Lantana said. "We think."
Ballard wasn't sure whether the "we" referred to Lantana and the dog or somebody else. Maybe Lantana and her veterinarian.
The old woman finished her survey of the house with a look through her jewelry drawer and reported that nothing other than the wallet seemed to be missing. It made Ballard think about Ralphs again, or that the burglar possibly thought he had less time than he actually had to go through the house.
Jenkins rejoined them and said there were no indications that the lock on the front or back door had been picked, jimmied, or in any other way tampered with.
"When you walked the dog, did you see anything unusual on the street?" Ballard asked the old woman. "Anybody out of place?"
"No, nothing unusual," Lantana said.
"Is there any construction on the street? Workers hanging around?"
"No, not around here."
Ballard asked Lantana to show her the e-mail notice she had received from the credit-card company. They went to a small nook in the kitchen, where Lantana had a laptop computer, a printer, and filing trays stacked with envelopes. It was obviously the home station, where she took care of paying bills and online ordering. Lantana sat down and pulled up the e-mail alert on her computer screen. Ballard leaned over her shoulder to read it. She then asked Lantana to call the credit-card company again.
Lantana made the call on a wall phone with a long cord that stretched to the nook. Eventually the phone was handed to Ballard and she stepped into the hallway with Jenkins, pulling the cord to its full extension. She was talking to a fraud alert specialist with an English-Indian accent. Ballard identified herself as a detective with the Los Angeles Police Department and asked for the shipping address that had been entered for the credit-card purchase before it was rejected as possibly fraudulent. The fraud alert specialist said he could not provide that information without court approval.
"What do you mean?" Ballard asked. "You are the fraud alert specialist, right? This was fraud, and if you give me the address, I might be able to do something about it."
"I am sorry," the specialist said. "I cannot do this. Our legal office must tell me to do so and they have not."
"Let me talk to the legal office."
"They are closed now. It is lunchtime and they close."
"Then let me talk to your supervisor."
Ballard looked at Jenkins and shook her head in frustration.
"Look, it's all going to the burglary table in the morning," Jenkins said. "Why don't you let them deal with it?"
"Because they won't deal with it," Ballard said. "It will get lost in the stack. They won't follow up and that's not fair to her."
She nodded toward the kitchen, where the crime victim was sitting and looking forlorn.
"Nobody said anything about anything being fair," Jenkins said. "It is what it is."
After five minutes the supervisor came on the line. Ballard explained that they had a fluid situation and needed to move quickly to catch the person who stole Mrs. Lantana's credit card. The supervisor explained that the attempted use of the credit card did not go through, so the fraud alert system had worked.
"There is no need for this 'fluid situation,' as you say," he said.
"The system only works if we catch the guy," Ballard said. "Don't you see? Stopping the card from being used is only part of it. That protects your corporate client. It doesn't protect Mrs. Lantana, who had someone inside her house."
"I am sorry," the supervisor said. "I cannot help you without documentation from the courts. It is our protocol."
"What is your name?"
"My name is Irfan."
"Where are you, Irfan?"
"How do you mean?"
"Are you in Mumbai? Delhi? Where?"
"I am in Mumbai, yes."
"And that's why you don't give a shit. Because this guy's never going come into your house and steal your wallet in Mumbai. Thanks very much."
She stepped back into the kitchen and hung up the phone before the useless supervisor could respond. She turned back to her partner.
"Okay, we go back to the barn, write it up, give it to the burglary table," she said. "Let's go."
CHAPTER 2Ballard and Jenkins didn't make it back to the station to begin writing the report on the Lantana burglary. They were diverted to Hollywood Presbyterian Medical Center by the watch commander to check out an assault. Ballard parked in an ambulance slot by the ER entrance, left the grille lights on, and then she and Jenkins entered through the automatic doors. Ballard noted the time for the report she would write later. It was 12:41 a.m. according to the clock over the reception window in the ER waiting room.
There was a P-1 standing there, his skin as white as a vampire's. Ballard gave him the nod and he came over to brief them. He was a slick sleeve and maybe even a boot and too new in the division for her to know his name.
"We found her in a lot on Santa Monica by Highland," the officer stated. "Looked like she had been dumped there. Whoever did it probably thought she was dead. But she was alive and she sort of woke up and was semiconscious for a couple minutes. Somebody had worked her over really good. One of the paramedics said she might have a skull fracture. They have her in the back. My TO's back there too."
The assault may have now been elevated to an abduction, and that increased Ballard's level of interest. She checked the patrolman's plate and saw his name was Taylor.
"Taylor, I'm Ballard," she said, "and this is Detective Jenkins, fellow denizen of the dark. When did you get to Super Six?"
"First deployment actually," Taylor said.
"Right from the academy? Well, welcome. You'll have more fun in the Six than you'll have anywhere else. Who's your training officer?"
"Officer Smith, ma'am."
"I'm not your mother. Don't call me ma'am."
"Sorry, ma'am. I mean —"
"You're in good hands with Smitty. He's cool. You guys get an ID on the vic?"
"No, there was no purse or anything but we were trying to talk to her while we were waiting on the paramedics. She was in and out, not making a lot of sense. Sounded like she said her name was Ramona."
"She say anything else?"
"Yeah, she said 'the upside-down house.'"
"'The upside-down house'?"
"That's what she said. Officer Smith asked if she knew her attacker and she said no. He asked where she was attacked and she said 'the upside-down house.' Like I said, she wasn't making a lot of sense."
Ballard nodded and thought about what that could mean.
"Okay," she said. "We'll go back and check things out."
Ballard nodded to Jenkins and headed toward the door that led to the ER's treatment bays. She was wearing a charcoal-gray Van Heusen suit with a chalk pinstripe. She always thought the formality of the suit went well with her light brown skin and sun-streaked hair. And it had an authority that helped overcome her slight stature. She pulled her jacket back enough for the receptionist behind the glass window to see the badge on her belt and open the automatic door.
The intake center consisted of six patient assessment and treatment bays behind closed curtains. Doctors, nurses, and technicians were moving about a command station in the center of the room. There was organized chaos, everybody with a job to do and some unseen hand choreographing it all. It was a busy night, but every night was at Hollywood Pres.
Another patrol officer was standing in front of the curtain for treatment bay 4 and Ballard and Jenkins proceeded directly toward him. He had three hash marks on his sleeves — fifteen years on the department — and Ballard knew him well.
"Smitty, the doc in there?" Ballard asked.
Officer Melvin Smith looked up from his phone, where he had been composing a text.
"Ballard, Jenkins, how's it hanging?" Smith said. Then: "Nah, she's alone. They're about to take her up to the OR. Fractured skull, brain swelling. They said they need to open her head up to relieve the pressure."
"I know the feeling," Jenkins said.
"So she's not talking?" Ballard asked.
"Not anymore," Smith said. "They sedated her and I overheard them talking about inducing a coma till the swelling goes down. Hey, how's Lola, Ballard? Haven't seen her in a while."
"Lola's good," Ballard said. "Did you guys find her, or was it a call?"
"It was a hot shot," Smith said. "Somebody must've called it in but they were GOA when we got there. The vic was just lying there alone in the parking lot. We thought she was dead when we first rolled up."
"Did you call anybody out to hold the crime scene?" Ballard asked.
"Nah, there's nothing there but blood on the asphalt, Ballard," Smith said. "This was a body dump."
"Come on, Smitty, that's bullshit. We have to run a scene. Why don't you guys clear here and go hold the lot until we can get a team there. You can sit in the car and do your paperwork or something."
Smith looked to Jenkins as the senior detective for approval.
"She's right," Jenkins said. "We have to set up a crime scene."
"Roger that," Smith said, his tone revealing he thought the assignment was a waste of time.
Ballard went through the curtain into bay 4. The victim was on her back on a bed, a light green hospital smock over her damaged body. She was tubed in both arms and nose. Ballard had seen plenty of victims of violence over her fourteen years with the department, but this was one of the worst cases she had seen where the victim was still alive. The woman was small and looked to be no more than 120 pounds. Both of her eyes were swollen tightly shut, the orbit of the right eye clearly broken under the skin. The shape of her face was further distorted by swelling down the entire right side, where the skin was abraded. It was clear she had been beaten viciously and dragged across rough terrain — probably the parking lot — on her face. Ballard leaned in close over the bed to study the wound on the lower lip. She saw that it was a deep bite mark that had savagely split the lip. The torn tissue was being held together by two temporary stitches. It would need the attention of a plastic surgeon. If the victim survived.
"Jesus Christ," Ballard said.
She pulled her phone off her belt and opened the camera app. She started taking photos, beginning with a full-face shot of the victim, then moving into close-ups of the individual facial wounds. Jenkins watched without comment. He knew how she worked.
Ballard unbuttoned the top of the smock to examine the chest for injuries. Her eyes were drawn to the left side of the torso, where several deep bruises were delineated and straight and appeared to have come from an object rather than someone's fists.
"Look at this," Ballard said. "Brass knuckles?"
Jenkins leaned in.
"Looks like it," he said. "Maybe."
He pulled back, disgusted by what he saw. John Jenkins had twenty-five years in and Ballard knew he had been running on empty for a long time when it came to empathy. He was a good detective — when he wanted to be. But he was like a lot of guys who had been around for so long. He just wanted a place to be left alone to do his job. The police headquarters downtown was called the PAB, for Police Administration Building. Guys like Jenkins believed that PAB stood for Politics and Bureaucracy, or Politics and Bullshit, take your pick.
The night-shift assignment was usually awarded to those who had run afoul of the politics and bureaucracy of the department. But Jenkins was a rare volunteer for the eleven-to-seven shift. His wife had cancer and he liked to work during her sleeping hours so he could be home every day when she was awake and needed him.
Ballard took more photos. The victim's breasts were also damaged and bruised, the nipple on the right side torn, like the lip, by gnashing teeth. The left breast was round and full, the right smaller and flat. Implants, one of which had burst inside the body. Ballard knew it took a hell of an impact to do that. She had seen it only once previously, and that victim was dead.
She gently closed the smock over the victim and checked the hands for defensive wounds. The fingernails were broken and bloody. Deep purple marks and abrasions circled the wrists, indicating that the victim had been bound and held captive long enough to produce chafing wounds. Ballard guessed hours, not minutes. Maybe even days.
(Continues...)Excerpted from The Late Show by Michael Connelly. Copyright © 2017 Hieronymus, Inc.. Excerpted by permission of Hachette Book Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Little, Brown and Company
- Publication date : July 18, 2017
- Edition : First Edition
- Language : English
- Print length : 448 pages
- ISBN-10 : 0316225983
- ISBN-13 : 978-0316225984
- Item Weight : 1.5 pounds
- Dimensions : 6.5 x 1.5 x 9.63 inches
- Book 1 of 6 : Renée Ballard and Harry Bosch
- Best Sellers Rank: #114,118 in Books (See Top 100 in Books)
- #13 in Police Procedurals (Books)
- #63 in Women Sleuths (Books)
- #2,476 in Murder Thrillers
- Customer Reviews:
About the author

Michael Connelly is the bestselling author of more than forty novels and one work of nonfiction. With over eighty-nine million copies of his books sold worldwide and translated into forty-five foreign languages, he is one of the most successful writers working today. A former newspaper reporter who worked the crime beat at the Los Angeles Times and the Fort Lauderdale Sun-Sentinel, Connelly has won numerous awards for his journalism and his fiction. His very first novel, The Black Echo, won the prestigious Mystery Writers of America Edgar Award for Best First Novel in 1992. In 2002, Clint Eastwood directed and starred in the movie adaptation of Connelly's 1998 novel, Blood Work. In March 2011, the movie adaptation of his #1 bestselling novel, The Lincoln Lawyer, hit theaters worldwide starring Matthew McConaughey as Mickey Haller. His most recent New York Times bestsellers include The Waiting (2024), Resurrection Walk (2023), Desert Star (2022), The Dark Hours (2021), The Law Of Innocence (2020), Fair Warning (2020), and The Night Fire (2019). Michael is the executive producer of Bosch and Bosch: Legacy, Amazon Studios original drama series based on his bestselling character Harry Bosch, starring Titus Welliver and streaming on Amazon Prime/Amazon Freevee. He is the executive producer of The Lincoln Lawyer, streaming on Netflix, starring Manuel Garcia-Rulfo. He is also the executive producer of the documentary films, "Sound Of Redemption: The Frank Morgan Story' and 'Tales Of the American.' He spends his time in California and Florida.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book captivating with a gutsy female protagonist and appreciate its intricate plot and interesting information throughout. They praise the character development, with one review highlighting the well-established protagonist, while another notes the thorough research. The book receives positive feedback for its intelligence, with one customer particularly impressed by the author's attention to detail. Customers disagree on the writing quality and pacing, with some finding it well-written and fast-paced while others describe it as poorly written and slow-moving.
AI Generated from the text of customer reviews
Customers find the book captivating and well-written, with one mentioning being hooked from the first paragraphs.
"Captivating…Seriously, I could not put this book down. Interesting characters and knowing the area I could picture it all - Ready for book #2" Read more
"Connelly is always good, but not always great. This book was captivating, mostly, yet in some parts a bit of a drag, like police interviewing a lady..." Read more
"Michael Connelly does it again! Another great read, full of action, twists and turns. Bring them on Renee👍 . We need more😉😉..." Read more
"...The Late Show isn’t an unqualified success, but it’s every bit as compelling and easily readable as everything else Connelly has done, and it bodes..." Read more
Customers appreciate the character development in the book, particularly the gutsy female protagonist Renee Ballard, and find the character build intriguing.
"...She seems very much like Harry, likes working on her own and maybe works in a way that’s not quite by the book...." Read more
"...Renee's character wad well established but most of the other characters were a little on the thin side. Enjoy" Read more
"...Connelly is a master writer, so that’s good. His characters are always good and the plotting and pacing are good...." Read more
"A great 1st story. Michael is a amazing author. Ballard is a great character and Bosch.season ending introduction of Ballard was great...." Read more
Customers enjoy the twists and turns in this book, praising its intricate plots and well-developed mysteries.
"Michael Connelly does it again! Another great read, full of action, twists and turns. Bring them on Renee👍 . We need more😉😉..." Read more
"...The book moves past the abduction of our detective and demonstrates good police work in the face of a police force that all seems to be working..." Read more
"...Ballard is a great character and Bosch.season ending introduction of Ballard was great. Q is a perfect pick to play her." Read more
"Introduces a central female character. I liked this book a lot. Good plot, well written, will continue in reading the rest of the Renee Ballard..." Read more
Customers appreciate the book's intelligence, noting it is fairly well-researched with a good amount of detail, and one customer describes it as riveted to the intellect.
"...All this shows her strength and determination. Then she is captured, drugged, and tortured...." Read more
"...of Los Angeles, the divisional layers of the LAPD and the procedural paperwork intimately and, as with the Harry Bosch novels, takes us into the..." Read more
"...She is likable and absolutely competent in her work but she doesn't seem to maintain any true or deep connections with anyone other than her..." Read more
"...is consistent in "The Late Show," is the great Los Angeles geographical descriptions from the streets, freeways, Hollywood and beaches like..." Read more
Customers appreciate the gutsy detective in the book, particularly her determination and investigative skills.
"...Late Show", a young, attractive, energetic and intelligent female LAPD detective now working the night shift...." Read more
"Very fun and thrilling detective novel that introduces detective Renee Ballard. I am currently buying the entire series." Read more
"...Ballard is a very good detective who feels stymied by the fact that, because of the way the shift work is handled, she is never able to see a case..." Read more
"...All qualities in a good detective...." Read more
Customers appreciate the character's strength, describing her as tenacious and persistent with a deep sense of integrity, and one customer notes she's tough enough to roll with the boys.
"...The result is a solid, if imperfect read, one anchored by Connelly’s reliably rich and vibrant depictions of Los Angeles...." Read more
"...Ballard is a seasoned police detective. She is smart and strong and works hard...." Read more
"...This is a solid and well written police procedural and Connelly clearly knows his genre...." Read more
"...The Late Show is a very solid, engaging police procedural...." Read more
Customers have mixed opinions about the writing quality of the book, with some finding it well written and a fine read, while others describe it as poorly written and annoying to read.
"...n’t an unqualified success, but it’s every bit as compelling and easily readable as everything else Connelly has done, and it bodes well for the..." Read more
"Very well written. I have read many of this genre and this is one of the best. Unanticpated bad guy...." Read more
"...the dialogue--absolutely Connelly's greatest weakness--is mostly wooden and unconvincing, though this time through he at least occasionally agrees..." Read more
"Excellent. Good story and very well written. Looking forward to Renee Ballard Book 2. Thank you Michael Connelly and Southern California." Read more
Customers have mixed opinions about the pacing of the book, with some finding it fast-paced and others noting it moves slowly at times.
"...I think this is the fastest that I have read a book. The next in line starts tomorrow" Read more
"...Would have given this book five stars except for the fact that Connelly left loose ends. We never discover the "why" of the primary case...." Read more
"...This has a really good story line, great writing and is perfectly paced. EXCELLENT! One of Connelly's best!" Read more
"...the supporting cast as well, an interesting plot and sub-plot, the fast pace, and the little details of police investigations...." Read more
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- Reviewed in the United States on June 10, 2025Format: KindleVerified PurchaseCaptivating…Seriously, I could not put this book down. Interesting characters and knowing the area I could picture it all - Ready for book #2
- Reviewed in the United States on January 3, 2025Format: PaperbackVerified PurchaseConnelly is always good, but not always great. This book was captivating, mostly, yet in some parts a bit of a drag, like police interviewing a lady at her home about typical credit card fraud, something that most of us experience yet it's hardly worthy of personal visits by police. "The Night Shift" could have been shortened a bit by skipping the small stuff. But the major cases, like murder and police department intrigue, they were nail biters. So, overall the book was a worthy read.
- Reviewed in the United States on June 6, 2025Michael Connelly does it again! Another great read, full of action, twists and turns. Bring them on Renee👍 . We need more😉😉
- Reviewed in the United States on April 8, 2025Format: KindleVerified PurchaseI have been working through the Harry Bosch universe and had hoped that I would meet Renee Ballard before she gets introduced on the tv show Bosch: Legacy, just before getting her own spinoff show. I was very pleased to meet her and liked her character quite a lot. She seems very much like Harry, likes working on her own and maybe works in a way that’s not quite by the book. I’m anxious for them to meet up and work together. Not sure if they will work well together or maybe not so much, since they are so alike. I do know that I found her character more unique than most female detectives in the books I read. Looking forward to following along with her while she is working cases in the future. And I think Maggie Q is the perfect choice for the tv character, fits her to a T.
- Reviewed in the United States on May 30, 2018Format: KindleVerified PurchaseI’ve been reading Michael Connelly’s books for years now – more than two decades – and it’s always a treat to see him expand the world he’s created with new characters. It’s not just the variety of stories that allows him to tell; it’s the fact that it means he’s not planning on retiring anytime soon, which means I have years more Connelly in my future.
And yet, I’d be lying if I didn’t say that I approached The Late Show with some trepidation. Detective Renée Ballard is the protagonist here, which means that for the first time, Connelly is essentially repeating a profession in his stable of main characters. Now, that makes sense within the world, to some degree, with the aging of Harry Bosch and his constantly shifting role within Connelly’s stories; introducing Ballard allows Connelly to keep a set of stories in the LAPD, without betraying Bosch’s characterization. But would Connelly have enough new characteristics to make Ballard her own person?
The answer, it turns out, is both yes and no. In some ways, Ballard feels a bit like Bosch-lite; she’s a bit independent and headstrong, a bit of a loner at times, fiercely dedicated to her cases even in the face of bureaucracy and superiors, and so forth. But there are also more subtle touches that make Ballard a bit different, from her beach-dwelling lifestyle to her younger age, to say nothing of her gender, which forces Connelly to deal with problems like sexual harassment and predatory suspects.
The result is a solid, if imperfect read, one anchored by Connelly’s reliably rich and vibrant depictions of Los Angeles. Putting Ballard on the overnight shift gives us a chance to see Los Angeles from a different perspective than Bosch’s detective-driven procedurals, as Ballard constantly reacts to the various cases that pop up and basically serves as a law enforcement triage officer overnight. That allows Connelly to cover a wide variety of cases, from the beating of a transsexual prostitute to an identify-theft burglary to a club shooting, giving The Late Show a bit more range and variety than the typical Bosch book. And if I could do without the way one of the stories turns into a “female cop in peril” moment, at least Connelly handles it the right way in its conclusion.
The Late Show isn’t an unqualified success, but it’s every bit as compelling and easily readable as everything else Connelly has done, and it bodes well for the character’s future. There’s enough variety here to justify a new character and a new series, and the book is engaging and enjoyable enough to leave me more than satisfied. Here’s to many more years of Connelly novels to come.
- Reviewed in the United States on May 31, 2025Format: KindleVerified PurchaseAs always there were ebbs and flows but all in all a good read. Renee's character wad well established but most of the other characters were a little on the thin side. Enjoy
- Reviewed in the United States on September 13, 2017Format: HardcoverVerified Purchase31. The Late Show by Michael Connelly, United States, August 2017 – 3 Stars (for an otherwise 5 star book)
We head into a new era with Connelly. I read in an interview conducted by Alafair Burke that he is still feeling productive and still has a lot to say about life and our times. He takes on the point of view of a female police officer and deals with a transgender death, and a prostitute who is not white. All three could be career killers.
So you get quite a ways into this book and it is a great police procedural. I really like the way the characters are portrayed, all believable but some nicer than others. There is a possibility that Renee Ballard is going to have to confront the man who sexually harassed her, and got away with it, in the force. He may be a perpetrator of a series of crimes she is watching from the sidelines since the Late Show detectives don’t get to keep many cases for themselves.
There is a case of a transgender person who is found beaten almost to death that no one wants and she takes that. This case is handled well, both politically and with sensitivity to the pressures of transgender people in our society now. But then there is a break in Connelly’s ability to make the jump to feminist issues. Ballard is a seasoned police detective. She is smart and strong and works hard. She is only on the Late Show because of male bad behavior that is allowed to stand when it should have been addressed. That shows the police to be sexist. Ok. She is investigating cases, handling the sexism, living a lonely life, caring for her grandmother, trying to live with a dog when she doesn’t really have the time. All this shows her strength and determination. Then she is captured, drugged, and tortured. It was disappointing that he had to put her into a traditional female victim role that demonstrated sexual vulnerability and weakness. That entire event could have happened in the garage in Ventura. Ballard would have had the same consequences and had to deal with them as she did in this book. This traditional way of presenting the lesser ability of women is typical of justifying why women should not be able to serve in dangerous jobs. No male detective would ever be described this way. I have to say that when I read that chapter I almost put the book down for good. The most sexist description of our strong competent detective follows for three more chapters. Unbelievable, disappointing, an opportunity missed.
The book moves past the abduction of our detective and demonstrates good police work in the face of a police force that all seems to be working against Ballard. It is hard to understand what her motivation to work for LAPD is. There are other departments and she could get a job somewhere else. Ballard does remain true to her standards till the end. It is hard to rate this book.
Connelly is a master writer, so that’s good. His characters are always good and the plotting and pacing are good. His willing participation in the perpetuation of the patriarchy is disappointing.
I fought in Vietnam for 5 years. When I came home I didn’t believe in anything any more. Everything I had been told about the country and what we believe was voided. I needed a direction and something in which I could believe. The women’s movement was gaining strength and I found them to be true and honest and they gave me the basis to build my life again. I have worked to be a feminist since then and do better and better. I have gotten to the point where it makes me uncomfortable when I hear anti-feminist, patriarchal comments or see those attitudes. This book made me uncomfortable. I have had the pleasure to know lots of women who were fully developed adults without needing to be defined by men or their culture. I didn’t see that here.
Top reviews from other countries
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mikeReviewed in Italy on September 27, 2021
5.0 out of 5 stars Brillante e coinvolgente
Una bella storia, coinvolgente e difficile da prevedere. Il finale non si racconta mai.. ma non vi deluderà!
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DIDIER CABARETReviewed in France on August 16, 2017
5.0 out of 5 stars Du très bon Connelly
Un renouvellement longuement attendu qui permet de sortir un peu d'Harry Bosch. Avec toujours LA en toile de fond, des personnages qu'on a déjà entrecroisé et une intrigue très bien ficelée comme d'habitude.
- BobReviewed in Canada on August 14, 2022
5.0 out of 5 stars A defiant new heroine
Format: Mass Market PaperbackVerified PurchaseMichael Connelly has already given us some strong-willed, astute, and highly capable female cop characters. Now, in a debut novel, he unveils Renee Ballard, a young cop who is all of those but who, unfortunately, has ruffled some feathers and been relegated to the midnight shift in the LAPD’s Hollywood Division.
Normally the cases Ballard catches on her shift (aka The Late Show) are turned over to day shift detectives, but there are a couple she’s simply not prepared to let go and persists by working them on personal time; her goal – like all good cops, is to give voice to those no longer able to speak for themselves. She faces some serious challenges but proves the word “quit” has no place in her vocabulary.
In typical Connelly fashion this is a well paced thriller with a skillfully structured plot that not only offers lessons in police procedures but gradually introduces the reader to this most intriguing addition to his stable of capable crime fighters.
- Aman KhanReviewed in India on September 2, 2024
5.0 out of 5 stars Renee Ballard’s introduction is solid!
She’s the female version of Bosch, with the “everybody counts or nobody counts” motto etched into her character. Superbly written, overlap of multiple cases keeps the reader engaged, all in all a good read.
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Jonny KatzReviewed in Brazil on May 25, 2025
5.0 out of 5 stars Bom,
Bom livro gostei e recomendo a todos, bom enredo e bom final,, além de ser barato e rápido mas difícil de comprar